Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Courtney Barnett, Creature of Habit
Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.
The Twilight Sad, It’s the Long Goodbye
The sixth album from the Scottish proponents of existential angst is centered around the intertwining duality of death and life, fueled in turn by feelings of despair, disbelief, and defiance.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without ever letting them overstay their welcome.
Mike LeSuer
Retitled “Out in the Country,” the track arrives with a visual of Rose and Video Age’s Ross Farbe performing live in Nashville.
The LP released under the moniker Michael & the Mighty Midnight Revival is out now as a free download.
Waiting on Time to Fly, John Klein’s third album under the slacker-folk moniker, is out November 15 via Born Losers.
Dylan Balliett’s follow-up to last August’s Bury the Dead arrives October 4.
The Seattle-based shoegazers are also sharing that their debut album I Wish I Was a Rat will be out October 18 via Danger Collective.
High Roller, the debut solo record from the Finom co-leader, arrives August 30 via Ruination Records.
Nigerian musician and visual artist Zina Saro-Wiwa sees apocalypse as a celebration of the end of a cycle in the video for the new track.
The LA-based trio shares how Duster, SASAMI, SOPHIE, and more influenced the dream-pop sound of their debut EP.
Out September 5, the self-released project notably features a cover of Deftones’ “Change (In the House of Flies)” recorded with her father.
The latest from the Chicago-based songwriter features backing vocals from She Keeps Bees’ Jess Larrabee.
It’s the third track to be released ahead of the Halifax-based group’s fifth album, out October 18 via Paradise of Bachelors and Paper Bag Records.
With Yoni Wolf’s seventh album under the moniker landing this week, we’re going deep on the guest spots, remixes, covers, and other rarities that have padded out his 25-year career.
The Austin noise-rap trio share an appropriately chaotic visual for their latest single.
The Seattle rockers announce that their new LP Move Too Slow will arrive September 6 via Sunday Drive Records as they share two new singles.
The new recording of the track originally from the London post-punks’ 2005 debut will appear on their new retrospective boxset And Yes, This Is My Singing Voice!.
The SoCal post-hardcore band’s new album Shapeshift is out September 3.
Stuart McLamb (of The Love Language) and Charles Crossingham share how everyone from Sheryl Crow to Counting Crows influenced their country-tinged debut album.
LA-based songwriter Remy Jean teases her debut album with her first new music in two years.
Caleb Cordes’ fourth LP I Sing is slated to arrive this Friday via Keeled Scales.
The loose single marks the band’s first release since 2021’s timetetheredtogether, as well as the first recording with a new lineup.
