Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kelsey Lu, So Help Me God
On their second LP, Lu taps Jack Antonoff and Yves Rothman to co-produce a fascinating tapestry of pop, R&B, electronica, classical, folk, and everything avant-garde in between.
Genghis Tron, Signal Fire
The cacophony of ideas on display on the transhumanist metal band’s dystopian fourth album reflects the relentless, manic digi-present we find ourselves in today.
Vince Staples, Cry Baby
On his first release away from Def Jam, the emcee spends more time looking outward than inward, peering into a communal politic with more rock to his roll than ever before.
Mike LeSuer
Although the band’s upcoming sold-out tour will celebrate 10 years of their breakout album Strange Trails, the track introduces fans to an interesting new chapter.
The 88-track Love Los Angeles collection aims to benefit Mutual Aid LA Network.
Out February 7, the collection also features covers from Current Joys, Brad Stank, Far Caspian, and more.
The Vermont-based songwriter announces that her Lame-O Records debut Trash Mountain will be out April 4.
Following a pair of slacker-punk EPs, the Australian group will share Greedy & gorgeous on March 14 via Little Lunch Records.
After seven years as a band, vocalist Sophia Skye and Starcrawler guitarist Henri Cash will unveil their first collection of rock and Americana tunes, Just a Stranger, on February 21.
The Austin-based multihyphenate will pick up where he left off on 2022’s Cry Havoc! EP later this year with his new album We Do Not Fear Ruins.
It’s the first track the trio have shared since inking a deal with indie hub drink sum wtr, home to releases from Kari Faux, Aja Monet, Gareth Donkin, and more.
The composer’s soundtrack to Drew Hancock’s new movie arrives January 24 via WaterTower Music, a week before the film’s January 31 wide release.
David Lynch at home, Hollywood, Calif., as he prepared for the release of his second album as a recording artist, “The Big Dream.”
Lynch’s family announced this morning that the artist and filmmaker has passed away at the age of 78.
The dark-folk songwriter’s first release since 2023’s No Masters in Paradise LP officially drops tomorrow.
With the pop-rapper’s sophomore album dropping this week via Get Better Records, she shares how Janet Jackson, Tears for Fears, and the Mario Kart OST inspired the project.
Lullabies for Dogs, the folk-punks’ first album in over five years, will drop March 7 via Wax Bodega.
Norwegian synth-pop songwriter Nora Schjelderup will release her second album, Dance Therapy, on March 21 via Mute Records.
The collection, aptly titled The Villagers Companion, arrives February 21 and will also feature covers of John Prine and Mecca Normal tracks.
Ironically, the Vancouver collective feels rejuvenated on the first track to be shared from their latest record, The Open Up.
On January 24, Gary Hustwit’s regenerative Eno documentary will be livestreamed in several iterations along with Q&As with the film’s crew and other special guests.
Eternal Reverie, the producer’s first new LP since 2020, arrives March 7 via her own Young Art Records.
The seriously unserious UK rockers’ third album Boys These Days arrives May 23.
Chrystia Cabral’s newly announced album of the same name drops March 28 via Sacred Bones.
