Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kelsey Lu, So Help Me God
On their second LP, Lu taps Jack Antonoff and Yves Rothman to co-produce a fascinating tapestry of pop, R&B, electronica, classical, folk, and everything avant-garde in between.
Genghis Tron, Signal Fire
The cacophony of ideas on display on the transhumanist metal band’s dystopian fourth album reflects the relentless, manic digi-present we find ourselves in today.
Vince Staples, Cry Baby
On his first release away from Def Jam, the emcee spends more time looking outward than inward, peering into a communal politic with more rock to his roll than ever before.
Mike LeSuer
Brigitte Naggar’s first new album in six years Anything Glass arrives June 13 via Keeled Scales and Paper Bag Records.
The piano-centric Places of Unknowing, the songwriter’s first solo record in nearly a decade, arrives this summer.
After releasing her debut solo album, the LA-based songwriter shares how Liz Phair, Local H, Ween, and more helped shape her vision.
The Brooklyn rockers returned earlier this year with new material teasing a future release.
Tom Fec shares how each song on the band’s first new album in eight years “took either years or a few days” to write.
The Australian group’s third LP is out today via ATO Records.
“I See a Darkness” marks the first new music released through Wasif’s Voidist Records, which will now be home to the artist’s back catalog.
The Y2K-invoking track serves as the indie-pop group’s second release via their new label home of Nettwerk Music Group.
A video for the track lands ahead of emcees Oreo Jones and Sirius Blvck and producer Sedcairn’s second album, Bad Dogs, dropping July 11 via Joyful Noise.
Formerly one half of Talk Normal, Register’s debut double-single is out now.
Ron Mael shares which cultural figures and Parisian neighborhoods may have subtly shaded the duo’s 26th album.
Out today, his experimental debut solo EP N?C succinctly encapsulates his recent relocation from Chicago to New York City.
The LA band’s serpentine third record Dream 3 is out July 11 via Born Losers Records.
The NYC-based songwriter’s Kramer co-produced new album What We Have Now arrives this week via Shimmy-Disc.
Meg Remy answers a few questions about the latest single from her new album recorded with a full band in Nashville, Scratch It.
Maria Crawford’s new country-tinged track follows the single “Pleaser” she released back in March.
The track serves as the lead single for Cassie Wieland’s debut album, I’ll be here, which arrives July 18.
The Asheville pop-punks are gearing up for summer tours with Michael Cera Palin, Dikembe, and Equipment.
The songwriter’s mini-album focusing on each hour of the morning is out today via Concord.
The Japanese-British artist takes us track by track through the nu-R&B of her follow up to 2023’s MSG EP.
