Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kneecap, Fenian
With bigger melodies and broader synth soundscapes, the rage-rave rap trio’s second LP takes an unexpected turn inward as they continue to take the politics of the world at large to task.
youbet, youbet
Penetratingly exact and proudly undefinable, Nick Llobet’s first album since expanding the project to a duo adds more definition to the sinewy, searching palette of their previous material.
Various artists, All These Things I Thought I Knew: A Compilation Tribute to the Late LD Beghtol
This tribute to the late songwriter and Magnetic Fields collaborator is something of a family affair, with close friends and clever familiars gathering to celebrate the artist’s dearly dour discography.
Mike LeSuer
The LA trios return with their second new single from their forthcoming EP.
With the arrival of Black Noise, the Montreal-based artist’s third record in nine months, Barnes shares 11 boldly pioneering songs within the realm of rap.
Brigitte Naggar’s first new album in six years Anything Glass arrives June 13 via Keeled Scales and Paper Bag Records.
The piano-centric Places of Unknowing, the songwriter’s first solo record in nearly a decade, arrives this summer.
After releasing her debut solo album, the LA-based songwriter shares how Liz Phair, Local H, Ween, and more helped shape her vision.
The Brooklyn rockers returned earlier this year with new material teasing a future release.
Tom Fec shares how each song on the band’s first new album in eight years “took either years or a few days” to write.
The Australian group’s third LP is out today via ATO Records.
“I See a Darkness” marks the first new music released through Wasif’s Voidist Records, which will now be home to the artist’s back catalog.
The Y2K-invoking track serves as the indie-pop group’s second release via their new label home of Nettwerk Music Group.
A video for the track lands ahead of emcees Oreo Jones and Sirius Blvck and producer Sedcairn’s second album, Bad Dogs, dropping July 11 via Joyful Noise.
Formerly one half of Talk Normal, Register’s debut double-single is out now.
Ron Mael shares which cultural figures and Parisian neighborhoods may have subtly shaded the duo’s 26th album.
Out today, his experimental debut solo EP N?C succinctly encapsulates his recent relocation from Chicago to New York City.
The LA band’s serpentine third record Dream 3 is out July 11 via Born Losers Records.
The NYC-based songwriter’s Kramer co-produced new album What We Have Now arrives this week via Shimmy-Disc.
Meg Remy answers a few questions about the latest single from her new album recorded with a full band in Nashville, Scratch It.
Maria Crawford’s new country-tinged track follows the single “Pleaser” she released back in March.
The track serves as the lead single for Cassie Wieland’s debut album, I’ll be here, which arrives July 18.
The Asheville pop-punks are gearing up for summer tours with Michael Cera Palin, Dikembe, and Equipment.
