Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kelsey Lu, So Help Me God
On their second LP, Lu taps Jack Antonoff and Yves Rothman to co-produce a fascinating tapestry of pop, R&B, electronica, classical, folk, and everything avant-garde in between.
Genghis Tron, Signal Fire
The cacophony of ideas on display on the transhumanist metal band’s dystopian fourth album reflects the relentless, manic digi-present we find ourselves in today.
Vince Staples, Cry Baby
On his first release away from Def Jam, the emcee spends more time looking outward than inward, peering into a communal politic with more rock to his roll than ever before.
Mike LeSuer
The Michigan gloom-and-doomgazers’ third LP expands the already-vast scope of their songs to incorporate elements that almost feel transparently autobiographical.
Aryan Ashtiani shares how eBay artifacts and vintage cars (well, old cars) inspired his vision on his newly released second album.
The Chicago-based musicians met up with Semones and her band for the first time to perform the track they’re featured on from the duo’s new album Horizon.
Australian producer Teneil Throssell shares a few songs by queer artists in the electronic/dance/DJ space she’s had on repeat over the past month.
Inspired by Jonathan Ames’ novel, the track appears on the songwriter’s upcoming collab-heavy LP Before the Future.
The multifaceted musician shares how his latest chapter was inspired by the patient sounds of Radiohead, Sigur Rós, Feist, and more.
Arriving with a camcorder-shot visual, the track lands ahead of the Brooklyn-based songwriter’s new LP We Were Bodies Underwater.
The Philly shoegazers’ new LP of the same name will arrive on July 25 via Born Losers Records.
Russell Marsden shares which songs inspired the writing on his band’s first three albums, all of which are getting re-released together this week in a brand new box set.
The new track introduces the trio’s Lemon Twigs–produced sophomore album Playin’ Dumb, out September 5.
Austin-based duo Philip Lupton and Truett Heintzelman will release their new album Heat of July on September 19 via ATO Records.
The post-punk quartet also announces that their sophomore album of the same name will arrive on August 29 via Sacred Bones.
The Chicago duo of Bridget Stiebris and Haley Blomquist Waller will release their debut album Chit Chat on August 1.
A very candid Gareth Liddiard shares how neurosis and delusion helped to define the Australian collective’s fourth LP, out now via Fire Records.
Former Whiskey Shivers member James Bookert also shares a live performance video of the track from Emigrant Lake in Oregon.
Beauty Fades, Pain Lasts Forever, the Singaporean dream-pop trio’s first album for Kanine Records, will arrive August 1.
The New Jersey shoegaze bands’ respective tracks “Moving On” and “Someone You Adore” are out today.
The trumpeter and jazz-fusion composer breaks down his spiritual new project, out now via Dom Recs.
The LA trios return with their second new single from their forthcoming EP.
With the arrival of Black Noise, the Montreal-based artist’s third record in nine months, Barnes shares 11 boldly pioneering songs within the realm of rap.
