With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Pulp, More
The Sheffield art rock ensemble’s first album in nearly 24 years still maintains their Kinks-y kitchen sink dramatics in opposition to Oasis’ Beatles-like demeanor and Blur’s operatic Who-ness.

Sufjan Stevens, Carrie & Lowell [10th Anniversary Edition]
Padded out with a personal essay, family photos, and outtakes, this re-release of Stevens’ album-length eulogy permits yet another return to the 1980s Oregon of the artist’s memory.

Alan Sparhawk, With Trampled by Turtles
Far more mournful than his solo debut from last year, the former Low member’s collaboration with the titular bluegrass band is drenched in sorrow, absence, longing, and dark devastation.
Mike LeSuer

Coppola, Scorsese, Spielberg, and De Palma all have new movies in production or slated for release later this year. Is it OK if we don’t really care?

Rick Maguire takes on the ghoulish policy advisor in the video for the Boston rockers’ latest single.

The heartland punk outfit teases their sixth album with a very enthusiastic video for lead single “(I Blame) Society.”

With “Us” hitting theaters last Friday, we’re ranking the ten most notable pioneering titles kept to two characters.

It seems weird that we’re able to arrange a top-fifteen list of bands with one-word names ending in -ing, but we might as well do it…right?

19 September 2018ñ “The Faint” is photographed at their band space on 26th and Farnam.
Todd Fink talks homework, “Egowerk,” and his band’s early emo work.

The Sunsets provide an experimental soundtrack to the doodled thoughts of a teenaged Sonny Smith.

The Brooklyn noise rock duo gives us a first taste of their yet-untitled full-length debut.

Before they embark on an intimate anniversary tour, we revisit their third album and remember why they were no Bon Iver—which isn’t a bad thing.

The popular (!) black metal group share a B-side too heavy for “OCHL.”

The extremely Oscar nominated drama and its snubbed peer lead a new generation of content from the streaming service, which seems to focus on millennial passivity.

Meet the space dominatrix inspired by a trip to AutoZone.

You don’t even need to ask—we’re all ready for this.

Florida man bravely steps into ring with Rage Against the Machine staple.

On the last stop of his anniversary tour, the Doomtree rapper offers some insight into the evolution of his uniquely punk take on rap.

The Brooklyn songwriter compiles ten healing songs that helped her make the leap from guitar to synthesizer for her latest record.

The Japanese Breakfast–directed video precedes Brooklyn’s sugariest power pop quartet’s follow-up to “Guppy.”

A CGI Andy Serkis was the only thing missing from Super Bowl LIII’s accidental homage to sixteen years ago.

Before the release of “VOL. 4 :: SLAVES OF FEAR,” Jake Duzsik talks us through the many phases of his experimental noise rock band—and the single aesthetic that unifies them.

The St. Louis–spawned fourpiece tease their Exploding in Sound debut.