Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Anna Calvi, Is This All There Is?
The British songwriter returns with a four-song EP defined by theatrical arrangements and an actorish guest list featuring Iggy Pop, Laurie Anderson, Perfume Genius, and Matt Berninger.
Various artists, Red Xerox: Chicago Youth Beat 2020-2025
Spotlighting the diversity of Chicago’s underground scene, this comp is as much a symposium for genre-defying trailblazers as it is a no-skips playlists capturing the city’s budding youth-beat movement.
Cut Worms, Transmitter
Produced by Jeff Tweedy, Max Clarke’s fourth album tampers down the luster of past records, grounding aspects of the indie-folk songwriter’s music that once seemed impossibly pristine.
Mike LeSuer
Matt Messore’s dream pop project gigs a New Jersey graveyard before hitting the West Coast.
Coppola, Scorsese, Spielberg, and De Palma all have new movies in production or slated for release later this year. Is it OK if we don’t really care?
Rick Maguire takes on the ghoulish policy advisor in the video for the Boston rockers’ latest single.
The heartland punk outfit teases their sixth album with a very enthusiastic video for lead single “(I Blame) Society.”
With “Us” hitting theaters last Friday, we’re ranking the ten most notable pioneering titles kept to two characters.
It seems weird that we’re able to arrange a top-fifteen list of bands with one-word names ending in -ing, but we might as well do it…right?
19 September 2018ñ “The Faint” is photographed at their band space on 26th and Farnam.
Todd Fink talks homework, “Egowerk,” and his band’s early emo work.
The Sunsets provide an experimental soundtrack to the doodled thoughts of a teenaged Sonny Smith.
The Brooklyn noise rock duo gives us a first taste of their yet-untitled full-length debut.
Before they embark on an intimate anniversary tour, we revisit their third album and remember why they were no Bon Iver—which isn’t a bad thing.
The popular (!) black metal group share a B-side too heavy for “OCHL.”
The extremely Oscar nominated drama and its snubbed peer lead a new generation of content from the streaming service, which seems to focus on millennial passivity.
Meet the space dominatrix inspired by a trip to AutoZone.
You don’t even need to ask—we’re all ready for this.
Florida man bravely steps into ring with Rage Against the Machine staple.
On the last stop of his anniversary tour, the Doomtree rapper offers some insight into the evolution of his uniquely punk take on rap.
The Brooklyn songwriter compiles ten healing songs that helped her make the leap from guitar to synthesizer for her latest record.
The Japanese Breakfast–directed video precedes Brooklyn’s sugariest power pop quartet’s follow-up to “Guppy.”
A CGI Andy Serkis was the only thing missing from Super Bowl LIII’s accidental homage to sixteen years ago.
Before the release of “VOL. 4 :: SLAVES OF FEAR,” Jake Duzsik talks us through the many phases of his experimental noise rock band—and the single aesthetic that unifies them.
