Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Towa Bird, Gentleman
The shred-bending guitarist is out for blood on her second LP as she channels femme-punk fury and four-on-the-floor disco beats into songs aiming to bust the heads of the pop patriarchy.
Telehealth, Green World Image
The Seattle band mashes up Millennial malaise with ’80s synthpunk and biting satire on a playful second LP that crowds out the more emotional elements with terminally online irony.
Nara’s Room, Tearless, thoughtless
The Brooklyn band bring more dimension to their sound on a magnetic second record that’s framed by a mix of analog technology and Y2K aesthetics.
Mike LeSuer
Between the dregs of Craigslist’s free-stuff listings and “Seinfeld”‘s most obscure moments, there’s always something familiar in the imagery of the NYC-based artist’s work.
[McConaughey accent] That’s what I love about these Linklater protagonists…
A collaboration that is a chilling assessment of our national disharmony.
Behind moments of timidity lurks a menacing DGAF attitude.
Portrait of Chris Shaw of Ex-Cult, backstage at Pickathon festival on 5th August, 2017. Photo ©Anthony Pidgeon
The Memphis punks crank out a quick and dirty rendition of their In The Red debut single.
“Perfume” bolsters the staying power of Wand as a rare contemporary rock band unwilling to forfeit their persona to suit the present.
Stuart McLamb’s raucous lo-fi experiment makes up for lost time with two minutes of heavy, blissed-out pop in anticipation of the forthcoming “Baby Grand,” out August 3 via Merge.
The LA-via-Ottawa garage rock four-piece get spooky in the latest Gentle Leader preview.
The title track from Evian’s forthcoming LP is brought to life with the help of a punk rock sibling and a bright New York afternoon.
On its tenth birthday, let’s look past its genre and appreciate the unrivaled visual flair, debilitatingly honest coming-of-age narrative, and anti-corporate rage of “Speed Racer,” a kids movie.
Rural Italy’s impish garage rock trio opt for misfit royalty over biscuits and loyalty in their cosmic new video.
Young Fathers’ newest addition to their stellar catalog is no exception—but there’s still one key question that needs to be addressed.
As the era of conscious backpack rap fades, Brian Immanuel’s debut “Amen” hints at a new wave of overly-self-conscious, Internet-savvy fanny pack rap.
Commemorating Animal Collective’s earnest stab at moving popular rock music forward and the nine bands that should be dictating the sounds of 2018.
Counting off five Hammers that are just so hyped.
Ruben Zarate’s surf pop project teases their yet-unannounced sophomore album with a new R&B-leaning single.
DC punk’s holiest emissaries belt out the cut from last year’s “Nothing Feels Natural.”
Just when you thought you could pigeonhole Ty Segall into just one entire decade of music.
Somewhere between Cage’s LaBeouf-directed “I Never Knew You” video and Brockhampton’s formation on a Kanye forum, something shifted. That something was almost definitely “Combination Pizza Hut and Taco Bell.”
The sludgy Boston three-piece offers up another preview of their forthcoming “Universal Care.”
