Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Styrofoam Winos, Any River
The Nashville group’s country-leaning third album is full of nuance, from the sheer array of instrumentation to its affective emotional dynamics.
Swamp Dogg, Swamp Dogg Contemplates the Afterlife
With the aid of producer and organist Raymond Angry, the country-R&B cult hero crafts an album about the afterlife that’s reflective of decades filled with hurt and hurting.
Of Montreal, Aethermead
Kevin Barnes rallies something bracingly emotional on their 20th album in 30 years, sounding more crisply, contagiously, singularly psychedelic than they have in ages.
Mike LeSuer
Shannon Lay
The folky Sub Pop signee visits the “Simpsons” universe for her latest single.
The Baltimore electronic collective continue to rewrite the mom-rock canon with their gothy and gazey new EP for Deathbomb Arc.
The gothy Americana single is the latest from Wolfe’s sixth LP, “Birth of Violence.”
Taking the place of the wordless promos in LA, the vaporwave pioneer breaks the news of an impending 100% Electronica pop-up.
The NYC-based songwriter goes long on the songs and artists that inspired their debut for Conor Oberst’s Team Love Records.
The rockers cite Murakami, can-I-speak-to-your-manager people, and a newborn son as influences.
The Boston garage rockers share the opener to their debut, “Safer Off,” out August 9.
The West Coast garage rock duo get all Jon Voight in the self-directed clip for their latest single.
With Sigourney Weaver and Richard Swift in mind, the synthy New Orleans duo’s latest single underwent plenty of change.
Speedy Ortiz / photo by Carlo Cavaluzzi
Speedy Ortiz songwriter Sadie Dupuis gives us her take on the mid-aughts neo-noir’s opening theme.
The scuzzy Brightoners serve up eleven of their sweetest kitchen jams.
The Nigerian-American soul futurist shares the upbeat closer to his forthcoming album “The Dubs.”
The Speedy Ortiz songwriter and the band’s former guitarist rip through the latest single from Maneka’s forthcoming “Devin.”
The East Coast’s noisiest collab are teaming up for their second Sacred Bones LP, “Everything That Dies Someday Comes Back.”
The Boston slowcore three-piece list their go-to drinking songs, doom-not-black metal tracks, and more.
The Chicago Latinx punks liven up the dreamy “Foam” single with a bummed-out flamingo.
After dropping a pair of singles, the Aussie art rockers have settled on August 23 for their second Joyful Noise release.
An animated picture book recounting an ill-advised camping trip serves as the Toronto punks’ latest visual treatment.
Marisa Dabice unpacks the self-acceptance, self-hatred, and freedom of individuality that went into writing the punk band’s new album, “Patience.”
On the release day of “Hard Pop,” the Milwaukee pop-punk quintet contextualize their indisputably fun sounds.
