Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Ella Langley, Dandelion
The pop-country songwriter understands the human weight of the American South’s emotionally rich tableau of high-speed heartbreak and low-light bars, as demonstrated on a resilient second album.
Sugar Horse, Not a Sound in Heaven
On their cleanest-sounding record yet, the doomy Bristol band’s idea of dance music feels perfectly suitable for the turbulent year 2026 has already proven to be.
Lime Garden, Maybe Not Tonight
The cocktail of frustration, insecurity, and lust that courses through the Brighton quartet’s buzzing and adventurous second album mirrors the trajectory of an energetic night out.
Mike LeSuer
The fourth and final single precedes an October 4 release date for “Make Yourself at Home.”
Our Associate Editor’s favorite pre-released singles, album deep cuts, and tracks by unfairly obscure artists from the past few weeks.
The Irish noise-makers dig into the warped sounds of their experimental follow-up to 2015’s “Holding Hands with Jamie.”
The “Real Stories” track gets the ska treatment for Jeremy Hunter’s debut collection of covers.
Reggie Watts joins the band for a synthed-out rendition of “Daddi.”
The National / photo by Molly Adams
The vintage analog recordings taken from a pair of the band’s 2018 sets at the Greek Theatre will be released November 29.
The Chicago songwriter and Ratboys guitarist teases his second solo album with a breezy power-pop jam.
The track from Friel’s recent “Fanfare” LP gets a “hideous” visual courtesy of digital artist Andy Wallace.
The second single from “Mass” sees the duo take a darker approach to New Orleans–inspired jazz.
Merge Records continues their 30-year anniversary celebration by commissioning an energetic cover of Arcade Fire’s second album.
The proto-Walkmen ensemble’s long out-of-print EP will see the light of day on October 18, along with a book of Stewart Lupton’s poetry.
The Brainfeeder producer’s first single from his forthcoming LP “Anicca” features some familiar vocals.
In its fifteenth year, the Chicago festival keeps it edgy with additional sets from Slayer, Blink-182, Descendents, Wu-Tang Clan, and more.
The first single from the hardcore punks’ Roadrunner Records debut sees the band submerged in water.
The international electropop icons share a dark visual for the single from their February-released self-titled album.
Jacob Rubeck and Nick Rattigan talk Cronenberg, Bergman, and the individual films that influenced their new album.
The latest single from the Nova Scotian rockers comes with a VanGaalen-inked visual.
2015. Trailer for Hi How are You Daniel Johnston screenshot
The highly influential songwriter has died of a heart attack at age 58.
The Ross Robinson–produced track from the post-hardcore collective takes them out of their comfort zone.
photo by Brigid Gallagher
Sure, we’ll all be at the “Silent Alarm” set—but what are “Microwave” and “Ganser,” and should I be there for them too?
