With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Andy Bell, Ten Crowns
The Erasure frontman works out something open and anthemic on his latest solo album, with producer Dave Audé adding subtler shades to his post-house pop mix.

Viagra Boys, viagr aboys
The Swedish post-punks’ fourth album combines half-assed humor with half-assed performances, filling in the void left by guitar-centric punk with demented synth tinkering.

Sunflower Bean, Mortal Primetime
The New York trio’s first self-produced album has a smooth, consistent, quietly confident sound quality that reflects the elegance that’s always been at their core.
Mike LeSuer

Unearthed from a bonus DVD accompanying their 2008 release, John Dwyer & co. serve up on-location live sets and compelling commentary.

Bay Area experimentalist Tia Cabral explains how Kubrick, Sun Ra, and “Frankenstein” inspired the unique aesthetic for her sophomore LP.

The Toronto post-hardcore outfit tease their cinematic fourth album with a wildly diverse track list of influences.

Akron/Family guitarist Seth Olinsky breaks down his influences from Swans to Patti Smith on his latest single.

The noise pop group share the closing track to their forthcoming Hardly Art debut with an interactive video.

Matt Messore’s dream pop project gigs a New Jersey graveyard before hitting the West Coast.

Coppola, Scorsese, Spielberg, and De Palma all have new movies in production or slated for release later this year. Is it OK if we don’t really care?

Rick Maguire takes on the ghoulish policy advisor in the video for the Boston rockers’ latest single.

The heartland punk outfit teases their sixth album with a very enthusiastic video for lead single “(I Blame) Society.”

With “Us” hitting theaters last Friday, we’re ranking the ten most notable pioneering titles kept to two characters.

It seems weird that we’re able to arrange a top-fifteen list of bands with one-word names ending in -ing, but we might as well do it…right?

19 September 2018ñ “The Faint” is photographed at their band space on 26th and Farnam.
Todd Fink talks homework, “Egowerk,” and his band’s early emo work.

The Sunsets provide an experimental soundtrack to the doodled thoughts of a teenaged Sonny Smith.

The Brooklyn noise rock duo gives us a first taste of their yet-untitled full-length debut.

Before they embark on an intimate anniversary tour, we revisit their third album and remember why they were no Bon Iver—which isn’t a bad thing.

The popular (!) black metal group share a B-side too heavy for “OCHL.”

The extremely Oscar nominated drama and its snubbed peer lead a new generation of content from the streaming service, which seems to focus on millennial passivity.

Meet the space dominatrix inspired by a trip to AutoZone.

You don’t even need to ask—we’re all ready for this.

Florida man bravely steps into ring with Rage Against the Machine staple.