Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
The Tubs, Hard Life
With its well-curated influences and almost uncomfortably human lyrics, the London jangle-punk quartet’s third LP finds charm and combustible energy in its intersection of bleakness and pep.
Pixies, Bossanova [2026 Remaster]
This newly manicured version of the alt-rockers’ ersatz-divisive 1990 LP is so well-executed from start to finish that it’s impossible to forget that you’re not listening to the original version.
Ezra Collective, Here Because of Hope
The UK jazz quintet are determined to heal while acknowledging pain on their soulful fourth LP of deeply jubilant, genre-bending, and compassionate odes to the enduring power of hope.
Mischa Pearlman
The Phoenix-based songwriter puts her songwriting personality front and center on her sophomore record, once again writing about heartache for all the right reasons.
The NOFX vocalist previews his surprisingly beautiful collection of string arrangements in collaboration with Baz the Frenchman before the LP officially drops this Friday.
With new reissues of Swordfishtrombones, Rain Dogs, and Franks Wild Years out now, we revisit the songwriting icon’s mid-career run when he leaned into his eccentricities—and changed the course of his career as a result.
Former Cymbals Eat Guitars vocalist Joseph D’Agostino’s second album with the project arrives November 3 via Get Better Records (and Tough Love Recs in the UK).
Charlotte McCaslin goes deep on a record about coming to terms with being a living thing in a dying world.
Exasperation drummer Dave Mead’s debut solo LP Speaking Terms will arrive October 10.
Murray Macleod takes us track by track through the Brighton punks’ journey of self-rediscovery, which is out now via UNFD.
The Boston-based quartet’s debut album I Think About It All the Time lands October 13 via Equal Vision Records.
On their first record in 11 years, the Swedish garage-rock revivalists have as much gusto, energy, and attitude as they did on their 1997 debut.
Takiaya Reed discusses how the joy of creation adds a personal layer to the anti-colonialist drone-metal project’s mission statement.
The track arrives ahead of the Melbourne punks’ fifth LP Endless, out October 20 via Fat Wreck Chords.
The track was recorded during the same sessions as last year’s White Tiger LP.
Christopher Pappas’ new collection of songs How Do I Feel? arrives September 1 via Little Record Company.
Executed with precision and grace, the group’s first release in over a decade blends the darkly political with the profoundly personal.
Militarie Gun at Stereogum Range Life party at Cheer Up Charlie’s
Ian Shelton discusses the various roads which led to the LA punks’ debut LP, Life Under the Gun.
The Phoenix folk-punks’ eighth LP feels more post-/mid-apocalyptic than foreshadowing of it while maintaining the band’s wonderful mix of pathos and humor.
The Canadian noise-punks’ fourth record is out now via Dine Alone Records.
The duo’s second album Bound to Be will arrive June 23.
Ceschi Ramos, Get Dead’s Sam King, and NOFX’s Fat Mike discuss their debut album This Is Crime Wave, which draws from their own experiences in the criminal justice system—and a sitcom-like housing situation.
The Santa Barbara by way of Philly songwriter takes us through his “post-apocalyptic Americana” opus track by track.
