Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Gorillaz, The Mountain
Damon Albarn and Jamie Hewlett’s guest-packed ninth album is a different kind of Gorillaz record—frequently interior, occasionally existential, surprisingly heartfelt.
GENA, The Pleasure Is Yours
Karriem Riggins and Liv.e’s collaborative debut beautifully plays to both of their strengths, resulting in a colorful and delightfully laid-back collection of neo-soul and jazz-rap.
Iron & Wine, Hen’s Teeth
A heavier fraternal twin to 2024’s Light Verse, Sam Beam’s unlikely eighth album hums through the speakers like a quiet, sudden revelation.
Mischa Pearlman
The debut solo album from Portishead’s vocalist poignantly straddles a divide between the bucolic and the experimental, past and the present, youth and older age.
The punk outfit’s hallmarks remain as powerful as ever on their guest-heavy tenth record, which feels less like a swan song than a reassertion of intent.
The Pernice Brothers and Grandaddy songwriters share a profound love of biking, so we got the pair to talk about that. And they did. A lot.
Brian McTernan’s hardcore endeavor shares their first new music since their 2022 Hello Sun EP, with both tracks out now via Equal Vision Records.
Punk rock’s premiere cover band/trolls will release the full performance under the title Blow It…at Madison’s Quinceañera on June 14 via Fat Wreck Chords.
The set took place on November 18 as the Minneapolis-based indie-pop outfit was touring their then-new release.
Playful but serious, retro but thoroughly modern, Lizzie Killian sets her insecurities to melodies that belie their ’90s-sourced inspiration on her debut album.
Challenging and confrontational, both hardcore-punk bands on this split EP manage to capture the violence of life on a dying planet while offering hope that all’s not lost.
In our latest digital cover, which features an exclusive behind-the-scenes video of his recent tour, we explore the many facets of the artist as he continues to tease his fourth LP while expanding his resumé by writing arrangements for Beyoncé, touring with Lil Yachty, and covering Talking Heads for A24’s upcoming tribute album.
Densely textured yet sparsely minimal, Irish songwriter Constance Keane’s second solo album is unrelenting in its intense emotions.
The Rochester emo-pop four-piece gets the balance of tender elegy and post-adolescent reckless abandon perfectly right on all 12 of their sophomore album’s formidable songs.
The Scottish duo’s first album in seven years shimmers with a noticeable sense of freedom as the tracklist unspools into a free-for-all collection that’s both challenging and fulfilling.
Although dominated by his distinctive vocal warbling, Boeckner’s solo debut is far from just Wolf Parade lite as it leans into retro-futuristic takes on Springsteen, Depeche Mode, and other sounds of the ’80s.
A powerful meditation on the real nature of death, their ninth album demonstrates that the Vancouver five-piece hasn’t settled into anything even remotely routine.
Fueled by the same raw and unfiltered emotional gravitas that haunted Bright Eyes’ early recordings, the Chicago duo’s lush debut draws you into a rich, layered world.
Mariel Loveland and Soft Faith’s Aaron Thompson chatted with us about their burgeoning creative partnership and the heavy themes beneath the track’s pop sheen.
The California punk band’s tenth album Dead Rebellion arrives April 5 via Fat Wreck Chords.
Bryan Stage and Andy Marshall’s experimental project shares the first taste of their new LP Person, which documents a failed relationship from beginning to end.
The Dinosaur Jr. frontman’s fourth solo album is haunted and melancholic, wistful and naively questioning—Mascis at his finest.
With a feature from Cat Clyde, the single arrives with news of a new LP from Kensrue titled Desert Dreaming.
