Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Converge, Hum of Hurt
Released just a few months after the more metal-leaning Love Is Not Enough, the Boston group course-corrects by balancing the scales with hardcore on their second LP of 2026.
horsegiirL, Nature Is Healing
The debut from Berlin-based enigma Stella Stallion is a dance record filled with synths, heavy bass, and the traditional beeps and bloops—yet somehow it also feels organic and alive.
Bedouine, Neon Skin Summer
Flowing out of a period of stillness, Azniv Korkejian’s fourth LP dusts up a world of childhood innocence as it diverges from the folk-pop tradition—and her own catalog—of lovelorn intensity.
Mischa Pearlman
The Phoenix-based songwriter breaks down each song about touring, panic attacks, desperation, and simply wanting another Long Island iced tea.
Rising with the recent wave of Britpop revivalism, the London outfit’s post-punky tenth album is an absolute dark delight that bristles with tension and post-apocalyptic energy.
The heaviness of the emo/post-rock outfit’s fifth and most metallic album isn’t just in the music this time around—it’s also in the words, themes, and intent of the record.
BELIEVEYOUME, the Kansas City post-hardcore band’s second album since their 2015 reunion, arrives September 26 via Spartan Records.
Tim McIlrath shares how the punk band’s newly released tenth album Ricochet aims to match the disruptive political energy of the times.
The instrumental project featuring members of Against Me! and Gracer have also put physical copies of their new EP of the same name up for pre-order.
With her career-spanning retrospective Palimpsesa out now via Topshelf, the songwriter assures us that this compilation serves as something very far from an ending.
Harrowing and fun in equal measure, the Ontario groups’ fifth record is a deliberate return to their raw punk ’n’ roll roots with a newfound sense of vulnerability lying beneath all the noise.
The Canadian alt-pop artist discusses her sixth LP A6, feeling connected to her younger self, and learning to live in the moment.
Each song on the Louisville-based gothic-Americana band’s final album is its own requiem, a tender farewell accepting of its fate.
The Philadelphia-based group take us deeper into the thrilling narrative conclusion of their third album of prog-metal experimentation, out now via Equal Vision.
Far more mournful than his solo debut from last year, the former Low member’s collaboration with the titular bluegrass band is drenched in sorrow, absence, longing, and dark devastation.
On their second LP, the Dublin trio weave through belligerent post-punk and quasi-industrial aesthetics, manipulating song structures and having fun with atonal soundscapes.
Worry Bead Records compiles tracks from Squirrel Flower, Remember Sports, 22° Halo, and more conjuring a wistful world of lo-fi elegance while raising funds for a very worthwhile cause.
On their third album, Chicago’s grungey power-pop outfit neatly balances present-day anxieties with wistful nostalgia while sagely ruminating on existential struggle and broader social themes.
With the Toronto punks releasing their fifth album Who Will Look After the Dogs? today, we grill lead guitarist Steve Sladkowski about the band’s back-to-basics approach.
The Fort Collins punks share the first track from their seventh album Nobody’s Going to Heaven just in time for May Day.
Arriving a decade after the formation of the Atlanta emo-punk trio, the 10 sophisticated, visceral songs on this debut feel like a release of pent-up energy.
Doing away with their blues-stomp/desert-rock hybrid in favor of something more mellow and downbeat, the Canadian duo’s sophomore LP is a collection of deep sighs and broken hearts.
The experimental metal band’s sixth album relishes in the unexpected, containing some of their most extreme black-metal moments as well as some of their most tenderly fragile.
