Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Mirah, Dedication
Gently playful with a fire burning underneath, the artist’s first record in seven years signifies her devotion to the craft of making music, whether the light in her career is burning bright or dim.
Worry Club, I’m Freaking Out
The debut album from Midwestern bedroom-pop songwriter Chase Walsh consistently feels authentic as it addresses grief and anxiety as universal truths.
Maria BC, Marathon
The experimental songwriter maintains the haunting delicacies of acoustic guitar and piano on a more fluid third album, while just as frequently counterweaving billowing distortion.
Nick Fulton
Juan Wauters recalls his immigration from Uruguay to Queens, which he commemorates on his recent LP “Introducing Juan Pablo.”
Despite cultural shifts in the eight years since their last album, their newest suggests the garage rock trio doesn’t need to change a bit.
He’s a perfume connoisseur on the side.
The husband-and-wife folk-rock duo detail the band’s new album, “Kinship,” and music’s role in the age of climate activism.
Priests
The D.C. band opened up about national identity, Thomas Frank, and Bowie’s Berlin trilogy.
