Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Beverly Glenn-Copeland, Laughter in Summer
The emotional new collection from the 82-year-old composer/vocalist is full of sedative new-age sounds and smartly executed art-pop that skews toward the pastoral and elegiac.
MØL, Dreamcrush
The Danish group hones their tantalizing blend of shoegaze and black metal on their third album, balancing heartfelt passages suitable for airplay with all-out assaults.
Silversun Pickups, Tenterhooks
Largely eschewing the distortion-doused approach of their early material, the dreamy LA rockers’ seventh record is a cohesive body of work rather than a gumball machine for singles.
Nick Fulton
Juan Wauters recalls his immigration from Uruguay to Queens, which he commemorates on his recent LP “Introducing Juan Pablo.”
Despite cultural shifts in the eight years since their last album, their newest suggests the garage rock trio doesn’t need to change a bit.
He’s a perfume connoisseur on the side.
The husband-and-wife folk-rock duo detail the band’s new album, “Kinship,” and music’s role in the age of climate activism.
Priests
The D.C. band opened up about national identity, Thomas Frank, and Bowie’s Berlin trilogy.
