With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Glare, Sunset Funeral
Transfixing from start to finish, the South Texas shoegazers’ debut is a dynamic, undulating audio portrait of the ups and downs of existence.
Perfume Genius, Glory
Backed by the incredible team he’s assembled over the years, Mike Hadreas’ seventh release is a folk album that remains as slippery, electrifying, and brilliantly unknowable as its lead single.
Gloin, All of your anger is actually shame (and I bet that makes you angry)
On their second album, the Toronto band taps into the fury of their post-punk forebears with a polished set of psychological insights that feel angry in all the right ways.
Nick Fulton
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Juan Wauters’ Immigrant Song
Juan Wauters recalls his immigration from Uruguay to Queens, which he commemorates on his recent LP “Introducing Juan Pablo.”
October 15, 2020
With “Memory,” Vivian Girls Have Nothing to Prove
Despite cultural shifts in the eight years since their last album, their newest suggests the garage rock trio doesn’t need to change a bit.
September 18, 2019
Sigur Rós Frontman Jónsi Makes Scents
He’s a perfume connoisseur on the side.
August 26, 2019
She Keeps Bees’ Jessica Larrabee Sings for Trees
The husband-and-wife folk-rock duo detail the band’s new album, “Kinship,” and music’s role in the age of climate activism.
July 16, 2019
Priests
Priests Are Musicians, Not a Political Party
The D.C. band opened up about national identity, Thomas Frank, and Bowie’s Berlin trilogy.
April 04, 2019
