With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Bruce Springsteen, Tracks II: The Lost Albums
This new box breaks down seven well-framed sets of sessions spanning 1983 to 2018, essentially designed as full-album capsules of mood previously deemed unfit for canonization.
Gelli Haha, Switcheroo
The songwriter’s debut is carefree, sleazy, fundamentally arresting dance music—a multi-sensory circus serving to wallpaper the halls of dance-pop history with neon, acid-tinged nonsense.
Wavves, Spun
The LA band’s eighth LP eschews distortion in favor of a cleaner pop-punk sound that both spotlights Nathan Williams’ songwriting chops and dulls the project’s compelling eccentricities.
Nick Fulton
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Juan Wauters’ Immigrant Song
Juan Wauters recalls his immigration from Uruguay to Queens, which he commemorates on his recent LP “Introducing Juan Pablo.”
October 15, 2020
With “Memory,” Vivian Girls Have Nothing to Prove
Despite cultural shifts in the eight years since their last album, their newest suggests the garage rock trio doesn’t need to change a bit.
September 18, 2019
Sigur Rós Frontman Jónsi Makes Scents
He’s a perfume connoisseur on the side.
August 26, 2019
She Keeps Bees’ Jessica Larrabee Sings for Trees
The husband-and-wife folk-rock duo detail the band’s new album, “Kinship,” and music’s role in the age of climate activism.
July 16, 2019
Priests
Priests Are Musicians, Not a Political Party
The D.C. band opened up about national identity, Thomas Frank, and Bowie’s Berlin trilogy.
April 04, 2019
