Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Reviews
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Sufjan Stevens, Worst Christmas Ever!
The Christmas album format finds vindication as the songwriter distills timeless compositions into a primer that cares about reverence and reflection as much as bombastic experimentation.
Katie Dey, Universal Will
Trading her typical hyperpop textures for heavy rock notes, the Australian pop experimentalist focuses her sights on the rise of technofascism in the wake of an online coming-of-age.
Boys Noize, 7LLVSION
Made bigger and brawnier by his recent collaboration with Nine Inch Nails, the German-Iraqi electronic producer’s first new solo album in five years proves the most maximal of his career.
Pete Tosiello
Articles
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BJ the Chicago Kid, Voice of the American Soul
The multifaceted vocalist walks us through his storied career leading up to his new record, “1123.”
August 20, 2019
Globetrotter Henry Canyons Finds a Home in LA’s Hip-Hop Scene
Coasting on the acclaim of April’s Cool Side of the Pillow LP, the LA-based emcee is finding his way from the backwoods to underground hip-hop’s forefront.
December 20, 2018
Nas’s “Nasir” Is the Album 2018 Deserves
It’s a fascinating and depressing listen for our current moment, a collaboration between two once-beloved icons reduced by their own grievous public misdeeds.
June 21, 2018
Film + TV
Watts, Friendship, and Humanity: Twenty-Five Years of “Menace II Society”
While often mislabeled as a “Boyz n the Hood” knockoff, the 1993 film’s precision in rendering the American male adolescent experience remains unmatched.
May 25, 2018
