With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Princess Nokia, Girls
With her fourth album of punky and provocative raps, the Nuyorican artist is once again reimagining hip-hop as a dangerous place to be.
Blawan, SickElixir
A dense, monolithic collection, the English DJ’s true speaker-blower of a second album sits somewhere between industrial techno, post-dubstep, and IDM.
Snõõper, Worldwide
The Nashville punks’ second album is less sonically gritty than previous projects, but has an added intensity largely stemming from an expanded studio band and sleeker production.
Sarah Gooding
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Art & Culture
The Power of Produce: Artist Lauren Halsey on Caring for Her Community with Summaeverythang
Halsey’s South Central LA hub provides her neighborhood with just what its name suggests—resources spanning from fresh produce to martial arts training.
October 26, 2020
Art & CultureDigital Cover
Swoon: Steadfast and Self-Sustaining
The Brooklyn-based artist details the intersection of personal and global sustainability in her work.
June 26, 2019
Art & CultureFilm + TV
MGMT’s Andrew VanWyngarden Wants You to Know He’s a Really Bad Boy
The MGMT frontman joined forces with Connan Mockasin to help soundtrack a surf film by Mexican Summer.
June 14, 2019
Meg Duffy of Hand Habits Embraces the Undefinable
Duffy talks about writing a new album in the midst of California’s wildfires, and how queer identity informs their music’s openness to nuance.
February 25, 2019
