With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Various artists, True Names: A Benefit for Trans Youth
Worry Bead Records compiles tracks from Squirrel Flower, Remember Sports, 22° Halo, and more conjuring a wistful world of lo-fi elegance while raising funds for a very worthwhile cause.

Beach Bunny, Tunnel Vision
On their third album, Chicago’s grungey power-pop outfit neatly balances present-day anxieties with wistful nostalgia while sagely ruminating on existential struggle and broader social themes.

SUMAC & Moor Mother, The Film
Their debut collaboration stitches the poet/emcee’s potent oratory chops through the metal group’s free-form sounds to create an avant-garde epic concerning human rights, violence, and empire.
Stephan Boissonneault

The latest album from Naomie de Lorimier’s aquatic pop outfit taps into the sensation of lucid dreaming to express the grandeur of the natural world.

With the Blur percussionist’s debut album Radio Songs out now, we discuss going solo and the wide variety of extracurriculars he’s been involved with since the Britpop icons’ hiatus.

The Toronto-based noise rockers’ upcoming LP We Found This arrives October 21 via Mothland.

Sebastian Murphy discusses how the post-punks’ latest album was inspired by conspiracy theories, humankind’s troglodytic beginnings, and a country-western aesthetic.

The chimerical record’s experimental powwow, psychic jazz, and gritty no-wave punk ranges from meditative to terrifying.

The single follows the Latvian neo-psych songwriter’s signing to Mothland.

The post-everything krautrockers’ sophomore album is a towering release fit for nebulous contemplation and feelings of foreboding astral projection.

The freakout post-punk group’s debut EP is the perfect musical cocktail of the appealingly bizarre.

Grian Chatten discusses the seediest parts of the band’s new album and his ever-changing relationships with Dublin and London.

“Subterranea,” the second album from the icy-hot psychedelic post-punks, arrives March 25 via Mothland.

The sonically crippling debut EP from the avant-punk five-piece feels like a hematic out-of-body experience.