Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kneecap, Fenian
With bigger melodies and broader synth soundscapes, the rage-rave rap trio’s second LP takes an unexpected turn inward as they continue to take the politics of the world at large to task.
youbet, youbet
Penetratingly exact and proudly undefinable, Nick Llobet’s first album since expanding the project to a duo adds more definition to the sinewy, searching palette of their previous material.
Various artists, All These Things I Thought I Knew: A Compilation Tribute to the Late LD Beghtol
This tribute to the late songwriter and Magnetic Fields collaborator is something of a family affair, with close friends and clever familiars gathering to celebrate the artist’s dearly dour discography.
Taylor Ruckle
The Chris Farren–directed visual announces Elise Okusami’s new album Nothing’s Ever Fine, which arrives April 8 via Polyvinyl.
The London-based indie rockers’ latest EP is an anti-formalist return to form.
The latest single from “Galactic Africa” pushes back on neo-colonialism in energetic Afrobeat fashion.
Kennedy Freeman shares the first of two full-band singles already planned for 2022.
The track arrives ahead of the “Jagged Little Pill” cast member’s debut album, “My Bed.”
The Québec-based songwriter celebrates the richness of her culture and the healing she’s achieved through transmitting it on her latest release.
The paradoxically upbeat single arrives ahead of their forthcoming self-titled EP.
The Palberta member’s solo debut channels the anguish and exhilarating possibility of a post-breakup period.
Taylor Vick’s comfort zone is the lilting, mid-tempo stuff her new album is founded on, opening up an expansive space around her nylon-string compositions.
Chamber-pop ornamentation and live-band grit weave around spiritual lyricism on the Cincinnati band’s third album.
