Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kim Gordon, Play Me
Fully embracing the trashy SoundCloud-era internet aesthetic as she raps, sings, and shreds over industrial clatter, this is the sound of an artist who’s still inspired by the cutting edge at 72.
The Notwist, News From Planet Zombie
This folksy, brassy new iteration of the German trio excels at melodies that yearn and churn with melancholy—yet still manages something celebratory.
Minnesota Artists United Against ICE, Melt ICE
This gigantic comp album featuring 110 Minnesotan artists raising funds for immigrant communities terrorized by ICE may also happen to be where you find your new favorite band.
Taylor Ruckle
The Aussie psych-rockers’ 23rd album in 10 years makes expanding your creative horizons sound like a genuine pleasure.
The single comes from their forthcoming sophomore LP No Drama, arriving November 4 via Carpark.
The LA-by-way-of-Chicago rapper discusses early influences—both musical and technological—and his eighth LP a tape called component system with the auto reverse.
Lloyd Ledingham’s latest track arrives ahead of their UK tour kicking off September 1 in Scotland.
Lili Trifilio talks feeling things in a big way on the Chicago outfit’s sophomore album, out now via Mom+Pop.
Their album Omniscient Cloud Cover comes out September 30 on Bob Nastanovich’s Brokers Tip Records.
Skye Holden offers a track-by-track breakdown of the album alongside an early stream of the full project.
The Chicago post-punks also answer a few Qs about their upcoming EP Nothing You Do Matters and working with Andrew.
The Winnipeg groups’ debut record 10/10 arrives September 9 via Midwest Debris.
Along with debuting a new visual for “Silent Waters,” Rachel Gordon breaks down the Philly hardcore group’s new album, out now via Quiet year.
The songwriter and filmmaker’s third album Catch the Light arrives June 17.
The beats on Florence Welch’s fifth album are more physical than ever, and the lyrics are darkly comic—all in service to that thrilling feeling of dancing on the edge of a knife.
Moaning bassist Pascal Stevenson’s debut solo record Scrutiny arrives June 17 via Felte.
The debut LP from the Hamilton, Ontario trio balances soaring guitars, soft atmospherics, and complicated spirituality.
A video for the track arrives ahead of the Pittsburgh group’s sophomore album, out June 3 via Crafted Sounds.
The Montana-based chiptune experimentalists’ debut LP Psychokinetic Love Songs is out April 29.
This reissue of the band’s final and least-praised record benefits most from the restored track order as intended by producer Nigel Godrich.
Shelby Dillon’s visual for the Falling in Love Is Not That Hard single arrives ahead of tonight’s album release show at The Hideout in Chicago.
While it doesn’t always live up to its most groundbreaking forebears, this sort-of posthumous release often succeeds in its own right.
The Chris Farren–directed visual announces Elise Okusami’s new album Nothing’s Ever Fine, which arrives April 8 via Polyvinyl.
