Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Caroline Rose, Gentling the Horse at the Walt Whitman Mall
Blending synthpop, alt-country, and punk, the songwriter’s surrealist vision of American suburbia in 2026 is fueled by tracks that rip and soak in the moments they depict.
Sour Widows, Sigil
The Bay Area duo confronts grief and cruelty while making space for necessary indulgence on their second LP, with producer Melina Duterte pushing them toward bolder arrangements.
Grumpy, Unfindable Ring
After a pair of EPs opened the door to shapeshifting unpredictability, Heaven Schmitt’s second LP leans into an emotive, purposefully fragmented sound that remains impossible to pin down.
Taylor Ruckle
With their eight album out now via Don Giovanni, the trio walk us through the unlikely inspirations and technical puzzles behind each song.
The full soundtrack for the VR game of the same name arrives on January 27, four days before the game itself launches.
The Brooklyn chamber-folk duo’s latest was inspired by vocalist/guitarist Alexia Antoniou literally working the graveyard shift.
The cassette-only release marks the duo’s first new music since 2016’s Ugly Laugh LP.
The melancholy track anticipates the South Carolina–born five-piece’s sophomore record.
The Richmond-based bedroom-pop artist’s new EP You Know, I Love You is arriving soon on Quiet Year Records.
The Aussie psych-rockers’ 23rd album in 10 years makes expanding your creative horizons sound like a genuine pleasure.
The single comes from their forthcoming sophomore LP No Drama, arriving November 4 via Carpark.
The LA-by-way-of-Chicago rapper discusses early influences—both musical and technological—and his eighth LP a tape called component system with the auto reverse.
Lloyd Ledingham’s latest track arrives ahead of their UK tour kicking off September 1 in Scotland.
Lili Trifilio talks feeling things in a big way on the Chicago outfit’s sophomore album, out now via Mom+Pop.
Their album Omniscient Cloud Cover comes out September 30 on Bob Nastanovich’s Brokers Tip Records.
Skye Holden offers a track-by-track breakdown of the album alongside an early stream of the full project.
The Chicago post-punks also answer a few Qs about their upcoming EP Nothing You Do Matters and working with Andrew.
The Winnipeg groups’ debut record 10/10 arrives September 9 via Midwest Debris.
Along with debuting a new visual for “Silent Waters,” Rachel Gordon breaks down the Philly hardcore group’s new album, out now via Quiet year.
The songwriter and filmmaker’s third album Catch the Light arrives June 17.
The beats on Florence Welch’s fifth album are more physical than ever, and the lyrics are darkly comic—all in service to that thrilling feeling of dancing on the edge of a knife.
Moaning bassist Pascal Stevenson’s debut solo record Scrutiny arrives June 17 via Felte.
The debut LP from the Hamilton, Ontario trio balances soaring guitars, soft atmospherics, and complicated spirituality.
