With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Lambrini Girls, Who Let the Dogs Out
The UK duo hurls hand grenades in the direction of contemporary society’s myriad ills across their riotously fun yet deadly serious indie-punk debut.
Franz Ferdinand, The Human Fear
The Scottish rockers’ sixth album leans into variety with the help of a new lineup, though most of the LP’s highlights come in the form of singles exhibiting the band’s tried-and-true sound.
Ethel Cain, Perverts
More of an immersive art installation than an album, this 90-minute drone project is every bit as moving as its pop predecessor despite feeling deliberately difficult.
Tom Morgan
The UK duo hurls hand grenades in the direction of contemporary society’s myriad ills across their riotously fun yet deadly serious indie-punk debut.
This new collected discography celebrating the upbeat, joy-emanating guitar-rockers polishes up their all-too-brief run while including a few new surprises. High-fives all around.
The breathless riffs, ferocious pace, and veteran sense of security that define this debut album from the metalcore supergroup feel like the work of a band desperate to escape their history.
John Dwyer details the “tightened up and screwed down” sci-fi punk of his prolific band’s 29th full-length.