With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
The Cure, Songs of a Lost World
The lyrical doom and gloom that matches the music’s slowed, metallic, ethereal ambience on the band’s first record in 16 years focuses very pointedly on true death.
Planes Mistaken for Stars, Do You Still Love Me?
The Colorado heavy rockers’ fifth and final record exhibits their broadest sense of appeal, ranging from aggressive noise rock to catchy post-hardcore hooks.
Leaving Time, Angel in the Sand
At various turns haunting, alluring, catchy, and confident, the Jacksonville shoegazers’ well-considered debut introduces the band with aplomb.
Trilby Beresford
“Lean on Pete” projects the English director’s empathetic voice to his largest American audience yet.
The screenwriter reflects on the messiness of truth and memory, and how he worked to build a story that encompassed everyone’s point of view.
The “Moonlight” actor reflects on the difficulty of hurting someone you love.
In the Bay Area director’s debut, which premiered at the Tribeca Film Festival in April and is now getting a digital release, a pair of Jordans is worth more than its price tag.
Netflix’s non-romantic rom-com finds love on its own terms.