With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Anika, Abyss
On her third LP, the Berlin-via-UK songwriter rediscovers her roots as a lyricist and as a vocalist within the roomy ambience that the finest moments of the record provide.

Cleopatrick, FAKE MOON
Doing away with their blues-stomp/desert-rock hybrid in favor of something more mellow and downbeat, the Canadian duo’s sophomore LP is a collection of deep sighs and broken hearts.

Momma, Welcome to My Blue Sky
The Brooklyn quartet furthers their liberated bless-this-mess energy with the soft, cheeky smile of dream pop to provide a go-to soundtrack for driving on the highway with windows down.
Trilby Beresford

“Lean on Pete” projects the English director’s empathetic voice to his largest American audience yet.

The screenwriter reflects on the messiness of truth and memory, and how he worked to build a story that encompassed everyone’s point of view.

20151101_111144_Moonlight_D15_0277.tif
The “Moonlight” actor reflects on the difficulty of hurting someone you love.

In the Bay Area director’s debut, which premiered at the Tribeca Film Festival in April and is now getting a digital release, a pair of Jordans is worth more than its price tag.

Jillian Jacobs and Paul Rust in “Love” (Judd Apatow)
Netflix’s non-romantic rom-com finds love on its own terms.