Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
The Menzingers, Everything I Ever Saw
Rather than merely reveling in pop-punk nostalgia on their eighth LP, the Scranton band instead opts to reexamine moments from their past in sharper focus.
sundayclub, sundayclub
Largely defined by unease, disillusion, and melancholy, the Winnipeg dream-pop duo’s debut leans heavily on atmosphere yet rarely pushes beyond it.
Suki Waterhouse, Loveland
The pop star’s third record sounds like it was made by someone whose ideas are still in transition rather than by someone who’s reached the edenic destination alluded to in its title.
Trilby Beresford
“Lean on Pete” projects the English director’s empathetic voice to his largest American audience yet.
The screenwriter reflects on the messiness of truth and memory, and how he worked to build a story that encompassed everyone’s point of view.
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The “Moonlight” actor reflects on the difficulty of hurting someone you love.
In the Bay Area director’s debut, which premiered at the Tribeca Film Festival in April and is now getting a digital release, a pair of Jordans is worth more than its price tag.
Jillian Jacobs and Paul Rust in “Love” (Judd Apatow)
Netflix’s non-romantic rom-com finds love on its own terms.
