Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Telehealth, Green World Image
The Seattle band mashes up Millennial malaise with ’80s synthpunk and biting satire on a playful second LP that crowds out the more emotional elements with terminally online irony.
Nara’s Room, Tearless, thoughtless
The Brooklyn band bring more dimension to their sound on a magnetic second record that’s framed by a mix of analog technology and Y2K aesthetics.
Winston Hightower, 100 Acre Wood
The 14 songs featured on the Columbus native’s second album may be as short as the ones on its lo-fi predecessor, but they’re far more fleshed out with catchier and on-point rock music.
Will Schube
photo by Masayoshi Sukita
It took eleven years, but the Japanese songwriter has returned.
Tyler’s always been an immensely talented producer and rapper, but he’s never put together an album as cohesively as he does here.
Shabazz Palaces
We speak with the Seattle legend to figure out how, exactly, he always stays one step ahead of the game.
A death-defying trip to Glacier National Park inspired the Austin band’s new record.
Ernest Greene is a new musician on “Mister Mellow,” and the results are often outstanding.
photo by Adarsha Benjamin
The well-traveled musician seeks a quiet place to reflect on his old life as a city dweller.
The British producer and sound collagist talks about opening himself to collaboration and simplifying his sound on his latest—and best—album, “Compassion.”
photo by Brad Bunyea
Ascending to heaven comes with a steep caveat.
