FLOOD

FLOOD is a new, influential voice that spans the diverse cultural landscape of music, film, television, art, travel, and everything in between.
A.D. Amorosi
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Reviews
Moor Mother, “Jazz Codes”

Camae Ayewa has created a melodic tone poem with stunning clarity, calm, tuneful choruses, and lustrous complexity on her new album.

July 07, 2022
Reviews
Wire, “Not About to Die”

For Wire fanatics, this often-coarse collection of Chairs Missing/154-era demos is a necessity.

June 23, 2022
Reviews
Grandmaster Flash, Melle Mel & The Furious Five, “Sugarhill Adventures – The Collection”

On the extended mixes that fill the box set, one could argue that the stutter and stretch of Grandmaster Flash at his finest is like listening to Miles Davis transition out of post-bop and into the roar of fusion funk.

June 22, 2022
Reviews
Prince and the Revolution, “Live”

This show and its material have long been part of the public ledger, but never with such stunning clarity—you can almost feel Prince’s crushed velvet duster breezing by you from the stage.

June 21, 2022

photo by Prestin Groff

FLOOD’s Guide to Record Store Day 2022 Part 2: Prince, Wilco, Kali Uchis, and More

15 titles to keep an eye out for at your local indie record shop this Saturday.

June 17, 2022
Reviews
Perfume Genius, “Ugly Season”

The sonic vibe of Mike Hadreas’ latest is an extension of the experimentalism of Set My Heart on Fire Immediately and its earthen elements of chamber art-pop, wonky R&B, spindly goth-industrial, and ever-so-decadent disco.

June 16, 2022
Reviews
S.G. Goodman, “Teeth Marks”

The Kentucky-based songwriter’s sophomore LP basks in Southern glow with just a little more lean toward ennui and existential dilemma than the scarred specifics of her debut.

June 13, 2022

‘SEX PISTOLS: THE ORIGINAL RECORDINGS’ – 20 tracks from the world’s most controversial band. RELEASE DATE: May 27th on UMe

Reviews
Sex Pistols, “The Original Recordings”

There’s a reedy feeling on these B-sides, covers, and primal versions of familiar attacks on aristocracy that highlight Johnny Rotten’s role as the last great rebellious frontman.

June 01, 2022
In Conversation
Victory of Dälek: Industrial Hip-Hop Still Reigns Supreme on “Precipice”

Will Brooks—a.k.a. MC Dälek—talks the past and future of his longstanding rap project and the shadow and shade of their latest LP.

May 26, 2022
In Conversation
Brian Jackson on Re-Introducing Himself with “This Is Brian Jackson”

The legendary keyboardist, composer, and collaborator to Gil Scott-Heron strikes out on his own for the first time in a minute.

May 25, 2022
Reviews
The Clash, “Combat Rock” / “The People’s Hall” [Special Edition]

This essential reissue ties together most of what the group recorded in studio and demo sessions after the “Radio Clash” 12-inch—plus their collaboration with late toaster Ranking Roger on a separate EP.

May 24, 2022
Reviews
Harry Styles, “Harry’s House”

On his latest solo venture, Styles smooths out the influences so prevalent on Fine Line in order to make a brassy and clingingly contagious new album.

May 23, 2022
Reviews
Bryan Ferry, “Love Letters”

Roxy Music’s lounge-lizard crooner interprets a handful of classic pop songs across the decades without concern for genre or an era’s agenda.

May 20, 2022
Reviews
The Rolling Stones, “El Mocambo 1977” + “Licked Live in NYC”

These two live collections are exceptional examples of the Stones at their grungy, brassy, ballsy finest—and sharp, sad reminders of what it truly means to have lost drummer Charlie Watts.

May 19, 2022
Reviews
Norah Jones, “Come Away with Me” [20th Anniversary Super Deluxe Edition]

The full-bodied anniversary collection paints a wilder portrait of Jones’ debut, displaying a surprising angularity and nervous energy.

May 17, 2022
Reviews
Black Star, “No Fear of Time”

Over 20 years since their sole album together, the latest from Yasiin Bey and Talib Kweli never reaches the skies of their debut, or the full flower of the talents of anyone involved.

May 16, 2022

Nick Cave and Warren Ellis photographed by Charlie Gray.

Film + TV
Andrew Dominik Profiles a Healing Nick Cave in “This Much I Know to Be True”

The New Zealand–born filmmaker’s new concert film hits theaters tomorrow.

May 10, 2022
Film + TV
Music Supervisor Gabe Hilfer on Overseeing the Funky Sounds of “Winning Time”

In the final quarter of the first season of HBO’s sporting dramedy, we look at one of its central players.

April 28, 2022
Reviews
Broadcast, “Microtronics,” “Maida Vale Sessions,” & “Mother Is the Milky Way”

These three all-rarities packages from the Birmingham sonic-collage duo create a cinematic experience from refurbished unused material.

April 25, 2022
FLOOD’s Guide to Record Store Day 2022 Part 1: Patti Smith, Blur, David Bowie, Lou Reed, and More

25 titles to keep an eye out for at your local indie record shop this Saturday.

April 22, 2022
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