FLOOD

On their second bite-size studio release since 2013, the space-age surf punks are angrier and more propulsive-sounding than in their past, and with that, more bluntly direct in their execution.

This live box set showcases newly made medleys that result in razor-sharp glam-rock cuts with complex melodic curveballs, crushing metal-pop guitar work, and the chemistry of a close-knit, veteran bar band.

The guitarist/vocalist with two new albums examines his time with Nick Cave’s Bad Seeds, The Gun Club, and The Cramps.

20 collections that defy the streaming age.

Padded with interviews and commentary, the real draw of Criterion’s 4K digital master is the inclusion of full versions of the avant-garde films excerpted in the doc.

The guitarist discusses the therapeutic jams of his sophomore solo LP under the outlet Hundred Watt Heart.

30 titles to keep an eye out for at this Friday’s annual post-turkey crate dig.

Beyond its golden coloring reflecting Coltrane’s sunburst spirituality, this reissue highlights the intertwined holy path shared with her late husband conveyed in the cosmic music she crafted in his wake.

This no-fat, all-funk debut EP is like a hard, wet kiss planted unexpectedly on your lips.

The twin neo-metal LPs incorporating bits of blues, country, punk, and classical into their tunes finally arrive together in one large package with three times the bombast.

This 5-LP collection spanning 1981 to 1990 shows that the Sheffield group were way ahead of the curve when it came to the innovations made in the name of future-looking synth-pop.

Mogwai, Man Man, IDLES, and The National are among the artists contributing chilly, distant remixes as part of this historical, 46-song overview of the krautrock duo’s original albums.

It’s the vocal textures and potent poli-sci lyricism that move all the needles on the NYC hardcore innovators’ third and most maximal album.

Capturing the mesmeric vibe and stretched compositional prowess of The Beatles and George Martin circa 1966, this lavish heavy vinyl kit meets the new expectations set by the epic Get Back.

Re-released 21 years after its debut, the producer and composer’s power-pop turn is a decorous affair with a personal and personable backstory.

His first solo album of vocal-based song since 2005 is mostly oddly beautiful and vaguely over-obvious in the lyric department, the latter strange for an Eno effort.

With Criterion Collection’s new 4K HD digital restoration out now, we revisit the industrialist nightmare of the 21st-century noir horror film.

Confusing expectations again, Rundgren’s latest seems to outstretch its long arms to accommodate guests rather than interacting in a duet setting.

Producer Larry Klein welcomes an elastic jazz ensemble to manipulate the subtle majesty of Cohen’s music for a murderer’s row of vocalists on a varied, often less-than-obvious selection of tracks.

On this lost 1957 classic, the rarity of Mingus compositions for sextet fly to the fore in vividly colorful and aptly tuned dedication to friends and fellow masters.