Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Courtney Barnett, Creature of Habit
Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.
The Twilight Sad, It’s the Long Goodbye
The sixth album from the Scottish proponents of existential angst is centered around the intertwining duality of death and life, fueled in turn by feelings of despair, disbelief, and defiance.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without ever letting them overstay their welcome.
A.D. Amorosi
34 titles to keep an eye out for at the first post-pandemic slam dance.
Ahead of his performance at Walt Disney Concert Hall this weekend, the Brazilian-born musician talks returning to his longtime home of Los Angeles.
Already clarion-clearly produced for (mostly) ship-in-a-bottle precision, the 2023 reissue’s sound is bracing nearly to a fault, with what was rushed in its original release subtly made right.
The Daft Punk member’s orchestral debut saws and soars its way into a nearly nirvana-like state.
On their latest full-length, the Manchester funk-punk group reinvent their skeletal dance-floor groove to concoct something sunshiny and frisky without denying their aggro past.
This four-album set collects some of the most ferocious career-spanning moments from the art-prog act recorded at a live session in London.
The now-50-year-old iconic LP—and its rarely heard Wembley live show recording—represents progressive rock at its most endearing, embraceable, and enduring.
The radically caffeinated and overheated emcees’ new duet album achieves a cohesion that could only be described as alchemical magic.
Shame, sex, death, and family all wriggle through Del Rey’s new album as if pouring mercury through a sieve, with Jack Antonoff’s light orchestration designed to make it all go down easy.
Adam Bhala Lough and Ethan Higbee’s 2009 documentary on the producer and toaster is now streaming on Criterion Channel, and available physically through Factory 25 and Vinegar Syndrome.
The sonic sparseness of the band’s fifteenth album—and first since the passing of co-founder Andrew Fletcher—is a welcome retreat from their more conventional forays into universality over the past decade.
This massive collection of re-recorded hits offers genuine surprises as to how the band sees themselves and their material, making for their best new old album in some time.
Pine talks transforming the fictional group into a real band of sorts, and choosing aptly emotional ’70s-centric needle drops for the series’ Fleetwood Mac–ish drama.
The Long Island–based trio’s Möbius-stripped voices in tandem with Prince Paul’s seamless sampling are what make their 1989 debut one of hip-hop’s foremost GOAT contenders.
Dedicated to her gauzy Los Angeles’s sunny days and noir-ish nights, Miley’s eighth LP is her most consistent, evenly handed record to date.
In addition to live recordings and rarities, this two-vinyl, four-CD package features a remastered version of the pair’s 1998 collaboration Painted by Memory that will break your heart with each spin.
Retitled “Mr. Fear, So Long,” the collaborative rework reanimates the single with “alien funk.”
The iconic Chicago house duo discuss their trajectory from their early major-label releases in the late-’80s to the two records they’ve crafted since reforming in 2021.
The Berkeley troubadour’s once-lost 1977 solo disc is full of weary songs both beautifully plainspoken and warmly character-driven.
Damon Albarn dampens some of the project’s kinkier oddities in favor of symmetry and sleekness on his latest star-studded recording.
