With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Neil Young, Coastal: The Soundtrack
Documenting his 2023 tour, Young’s umpteenth live album both simplifies the noise of Crazy Horse’s recent recordings and solidly renders familiar hits in a solo setting.

Adrian Younge, Something About April III
The third and final installment of his vintage psych-soul trilogy sees the songwriter bring the large history of Brazil into a tight narrative revolving around young love and class struggle.

Julien Baker & TORRES, Send a Prayer My Way
Baker and Mackenzie Scott’s debut pop-country collaboration is made up of a nuanced and emotionally kinetic set of hangdog story-songs that wear their nudie suits with pride.
A.D. Amorosi

On their first record in 24 years, Tracey Thorn and Ben Watt balance the bedsit-melancholic intimacy of their earliest character studies with the chill club music of their later work.

34 titles to keep an eye out for at the first post-pandemic slam dance.

Ahead of his performance at Walt Disney Concert Hall this weekend, the Brazilian-born musician talks returning to his longtime home of Los Angeles.

Already clarion-clearly produced for (mostly) ship-in-a-bottle precision, the 2023 reissue’s sound is bracing nearly to a fault, with what was rushed in its original release subtly made right.

The Daft Punk member’s orchestral debut saws and soars its way into a nearly nirvana-like state.

On their latest full-length, the Manchester funk-punk group reinvent their skeletal dance-floor groove to concoct something sunshiny and frisky without denying their aggro past.

This four-album set collects some of the most ferocious career-spanning moments from the art-prog act recorded at a live session in London.

The now-50-year-old iconic LP—and its rarely heard Wembley live show recording—represents progressive rock at its most endearing, embraceable, and enduring.

The radically caffeinated and overheated emcees’ new duet album achieves a cohesion that could only be described as alchemical magic.

Shame, sex, death, and family all wriggle through Del Rey’s new album as if pouring mercury through a sieve, with Jack Antonoff’s light orchestration designed to make it all go down easy.

Adam Bhala Lough and Ethan Higbee’s 2009 documentary on the producer and toaster is now streaming on Criterion Channel, and available physically through Factory 25 and Vinegar Syndrome.

The sonic sparseness of the band’s fifteenth album—and first since the passing of co-founder Andrew Fletcher—is a welcome retreat from their more conventional forays into universality over the past decade.

This massive collection of re-recorded hits offers genuine surprises as to how the band sees themselves and their material, making for their best new old album in some time.

Pine talks transforming the fictional group into a real band of sorts, and choosing aptly emotional ’70s-centric needle drops for the series’ Fleetwood Mac–ish drama.

The Long Island–based trio’s Möbius-stripped voices in tandem with Prince Paul’s seamless sampling are what make their 1989 debut one of hip-hop’s foremost GOAT contenders.

Dedicated to her gauzy Los Angeles’s sunny days and noir-ish nights, Miley’s eighth LP is her most consistent, evenly handed record to date.

In addition to live recordings and rarities, this two-vinyl, four-CD package features a remastered version of the pair’s 1998 collaboration Painted by Memory that will break your heart with each spin.

Retitled “Mr. Fear, So Long,” the collaborative rework reanimates the single with “alien funk.”

The iconic Chicago house duo discuss their trajectory from their early major-label releases in the late-’80s to the two records they’ve crafted since reforming in 2021.

The Berkeley troubadour’s once-lost 1977 solo disc is full of weary songs both beautifully plainspoken and warmly character-driven.