Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Portrayal of Guilt, …Beginning of the End
The Austin trio pushes into new territories within the frameworks of hardcore and metal, inserting flourishes of trip-hop, nu metal, and even Memphis rap into their aggressive package.
VINSON, Raw Honey
The debut album from the Detroit-reared artist jumps from jazz to electronica to R&B while always maintaining a cohesive structure of easy Sunday-morning vibes.
Friko, Something Worth Waiting For
With their second album, the Chicago band sheds their tough noise-pop exterior to reveal a more delicate sound—and emotional truisms to match—as they grow more confident.
A.D. Amorosi
On her seventh record, the pop star has gone from playing the victim to taking full responsibility.
The artist born Matthew Urango is a multi-instrumentalist whose punk-rock youth led to his making spaced-out, modern disco.
Indefinable, refined, and weirdly universal.
The late manager of Neil Young and Joni Mitchell went deep with his artists.
Scorsese’s Netflix doc and the newly released live recordings highlight a mythic chapter in Dylanology.
From “Hee Haw” to heavy metal to rock ‘n’ roll, Shooter has it covered.
Springsteen has fused his Asbury Park roots with his rambling man esprit, and brought the whole family out to the Hills of Beverly.
This is Vampire Weekend’s “White Album”—all its baroque catchiness and experimentation in one not-so-neat double LP package.
L7 / photo by Daniel Cavazos
On the occasion of the LA punks’ first record in twenty years, Sparks explains why getting the band back together—and pissing in hats—is necessary.
December 1, 2018. Saxapahaw, North Carolina
Promo photos of The Mountain Goats ahead of their new album “Dragons”
The core of TMG talks his upcoming album for Merge and his podcast that’s now in its second season.
Helado Negro’s This Is How You Smile drops March 8 on RVNG Int
The Latinx indie musician talks us through his new album “This Is How You Smile,” out this week via RVNG Intl.
Armed with his Farfisa, his torrid voice, and his Technicolor arrangements, Condon has made his most adult listening effort to date.
Buzzcocks’ first two records with Pete Shelley proved that the band could—and did—maintain dramatic and thematic tension through entire song cycles.
The Northern Irish singer-songwriter and instrumentalist may be the twentieth century’s most fascinating interpreter of other composers’ vocal music.
If not for the fissure amongst the Beatles’ ranks, the lustrous brilliance and weird experimentalism of this collection wouldn’t shine so bright fifty years later.
Modern art music’s greatest crooner still sounds full-bloodedly theatrical and possessed of endless sensuality.
This new set of rarities unleashes Strummer’s passion into the world in a small but concentrated dose, while honing in on his adoration of American mythology.
Shooter Jennings has never let convention or the commonplace slow his roll or stand in the way of a great notion.
Once personifying the adventurous, fresh feel of Brooklyn’s 21st century rise, GGD’s latest takes into account the jadedness of the moment.
A charming denouement dedicated to entrepreneurial spirit and nuptial love.
