Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Smirk, Speculative Fiction
On his most purposeful and driven release yet, Nick Vicario teams up with members of Hotline TNT, Poison Ruin, and Ceremony for a mid-tempo homage to ’80s horror-punk.
Pixies, Complete B-Sides 1988-97 [Reissue]
Neatly charting the band’s evolution from noise militants to pop eccentrics, the first-ever vinyl release of this collection reminds us that Pixies’ trash was often purer than their peers’ gold.
Mekons, Horrorble (Mekons vs. Tony Maimone in Dub Conference)
At the ripe age of 50, the Leeds post-punk/alt-country collective revisits last year’s under-the-radar Horror LP as a dub record with the aid of Pere Ubu’s Tony Maimone.
Andy Hermann
On the concept album “A Short Story About a War,” the Canadian rapper has created a world—and a war—that’ll hit close to home, wherever you are.
It’s beautiful stuff, and the hipsters are listening attentively, many with heads bowed and eyes closed, vibing out to the celestial sounds.
Via the natural collaboration of an LA-based startup and…an iconic Icelandic art-rock band (??), you can now add a surreal layer to the real world.
Annie Clark and visual artist Philippa Price designed St. Vincent’s latest tour specifically for festivals—and to make you ask, “Is this OK?”
A quarter of a century after “Last Splash,” Kim Deal recalls The Breeders’ bitter dissolution, successful reunion, and the fractured recording process resulting in the utterly cohesive “All Nerve.”
Fresh off Coachella, the young multi-instrumentalist continues to prove that his Honda is the only thing average about him.
