With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Blonde Redhead, Sit Down for Dinner
The dream-pop trio celebrates the precarity and preciousness of life with delicate and airy sounds on their first record in nine years.
Oneohtrix Point Never, Again
Daniel Lopatin’s “speculatively autobiographical” tenth album marries a handful of his past styles, soulful vibes, and sample tricks into one future-forward, frothing, fluid stream of sound.
Armand Hammer, We Buy Diabetic Test Strips
The block-party feel of billy woods and ELUCID’s guest-heavy sixth full-length together makes for a raucous listen, yet it’s clearly the defining statement in their always-brilliant discography.
On the concept album “A Short Story About a War,” the Canadian rapper has created a world—and a war—that’ll hit close to home, wherever you are.
It’s beautiful stuff, and the hipsters are listening attentively, many with heads bowed and eyes closed, vibing out to the celestial sounds.
Via the natural collaboration of an LA-based startup and…an iconic Icelandic art-rock band (??), you can now add a surreal layer to the real world.
Annie Clark and visual artist Philippa Price designed St. Vincent’s latest tour specifically for festivals—and to make you ask, “Is this OK?”
A quarter of a century after “Last Splash,” Kim Deal recalls The Breeders’ bitter dissolution, successful reunion, and the fractured recording process resulting in the utterly cohesive “All Nerve.”
Fresh off Coachella, the young multi-instrumentalist continues to prove that his Honda is the only thing average about him.