With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue
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Sinai Vessel, I Sing
Caleb Cordes provides a thoughtfully nuanced thesis statement for his heartland indie-rock project as he paints a portrait of an artist working under the long shadow of late capitalism.
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BLK ODYSSY, 1-800-FANTASY
On his third showcase of vivid storytelling under the moniker, Juwan Elcock adds early 2000s pop-rock to his pre-established melting pot of R&B, hip-hop, funk, and jazz.
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Wand, Vertigo
The Cali psych-rockers offer tangible connections between their early, blazing garage bashers and later forays into more progressive terrain with their adventurously cohesive sixth LP.
Angela Ratzlaff
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2015. Eagles of Death Metal Zipper Down cover hi res
“Zipper Down” has some memorable hooks, and the rhythm section particularly shines, but with this band, it’s best to buy their first two records and remember them for what they were: a fun joke that apparently won’t age that well.
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Wand 2015 1000 Days cover hi-res
This is a lay-down-and-stare-at-the-ceiling kind of record, one that should be put on repeat during a lazy afternoon spent day-dreaming about past California summer sunsets.
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Gardens and Villa. Music for Dogs. cover.
While the LP is definitely satisfying, it’s hard to feel like you’re on Gardens & Villa’s wavelength. Maybe the frequency is just too high for us.
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The Good Life. Everybody’s coming down. cover.
Cursive frontman Tim Kasher promises listeners a lot by naming his solo side project The Good Life.
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Girlpool. Before the world was big cover.
Stripped down and to the point, Girlpool’s debut full-length “Before the World Was Big” reminds us that, sometimes, less is more.
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Palma Violets. Danger in the Club cover.
The rebellious nature of being young and alive in a city is what makes the Violets so great, and “Danger in the Club”’s lack of that spunk is what makes the LP so disappointing.
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2015. JEFF The Brotherhood, “Wasted on the Dream” art
With this release, the duo’s dream and future is unclear, but one thing is for sure, listening to this album is definitely time wasted.
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2015. Ty Segall Band, “Live in San Francisco”
Listening to the LP is like reliving a moment in time. Even if you weren’t there, you can still feel the heat emulating from the walls.
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British trio the Wytches seamlessly blend horror aesthetics with heavy rock riffs on their debut full-length Annabel Dream Reader.
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2014 OBN IIIs, “Third Time To Harm” album art
Don’t get me wrong, while the signature fuzz from past OBN IIIs recordings is absent, the Austin, Texas, foursome haven’t completely forgotten their dirty roots.
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2014 Cold Beat, “Over Me” album art
While the music may not skew as disco as Blondie, Over Me still manages to take on a more refined sound.