Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Empress Of, Dream House
On a prismatic album about reconstruction and fulfillment, the Honduran-American songwriter embodies pure-hearted conviction to remind us home is where the heart is.
Emma Ruth Rundle, These Killing Times
Capturing the existential uncertainty and anguish of being alive right now, each of the eight tracks on the Portland-based songwriter’s new record feels like some kind of séance.
Slow Pulp, Melodie
The Wisconsin indie rockers have created something more cohesive, polished, and cathartic on their third LP, an exploration of loss and change.
Connor McInerney
The bonus LP of B-sides provides a sense of completion to Olsen’s “All Mirrors” era, although the set as whole feels a bit uneven.
The EP’s subject matter is thornier than past efforts’, leading to songwriting that pulls fewer punches.
DIRTY PROJECTORS
Longstreth also details his love of bossa nova and the ever-fluctuating definition of what Dirty Projectors really is.
Much of the signature grime has worn off, revealing an innovative—though not necessarily boundary pushing—shine.
