With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue
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Glixen, Quiet Pleasures
Compelling yet uneven, the strongest compositions on the Phoenix shoegazers’ sophomore EP are often also the most experimental.
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Anxious, Bambi
Calling back to the “big swing” pop-punk records from the turn of the millennium, the Connecticut band’s sophomore release is emotionally intelligent and impressively fine-tuned.
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Patterson Hood, Exploding Trees & Airplane Screams
The Drive-By Truckers frontman’s first solo album in over a decade both softens and complicates the alt-country band’s barroom-rock formula, distinguishing itself to mixed results.
Connor McInerney
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The bonus LP of B-sides provides a sense of completion to Olsen’s “All Mirrors” era, although the set as whole feels a bit uneven.
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The EP’s subject matter is thornier than past efforts’, leading to songwriting that pulls fewer punches.
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DIRTY PROJECTORS
Longstreth also details his love of bossa nova and the ever-fluctuating definition of what Dirty Projectors really is.
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Much of the signature grime has worn off, revealing an innovative—though not necessarily boundary pushing—shine.