Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
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Julianna Barwick & Mary Lattimore, Tragic Magic
Pairing early modern harp and vintage analog synths, the duo cope with disaster by forging soothing atmospheric compositions fueled by their unique creative connection.
Westside Cowboy, So Much Country ’Till We Get There
The buzzy Manchester group’s new EP doubles down on affability with five tracks of straightforward indie rock coursing with charm and easy-going, edgeless quirks.
Xiu Xiu, Xiu Mutha Fuckin’ Xiu: Vol. 1
These covers capture the broad spectrum of artists who’ve inspired Jamie Stewart over the past 24 years—and prove that Xiu Xiu is able to even make Robyn sound unwaveringly dark.
Connor McInerney
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Reviews
Angel Olsen, “Song of the Lark and Other Far Memories”
The bonus LP of B-sides provides a sense of completion to Olsen’s “All Mirrors” era, although the set as whole feels a bit uneven.
May 06, 2021
Reviews
Beach Bunny, “Blame Game” EP
The EP’s subject matter is thornier than past efforts’, leading to songwriting that pulls fewer punches.
January 14, 2021
DIRTY PROJECTORS
In Conversation
In Conversation: David Longstreth of Dirty Projectors on the Language and Process Behind “5EPs”
Longstreth also details his love of bossa nova and the ever-fluctuating definition of what Dirty Projectors really is.
November 24, 2020
Reviews
Tobacco, “Hot Wet & Sassy”
Much of the signature grime has worn off, revealing an innovative—though not necessarily boundary pushing—shine.
October 28, 2020
