With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Kaitlyn Aurelia Smith & Joe Goddard, Neptunes
Each track on the electronic composer and Hot Chip leader’s debut EP together has a unique rhythmic texture, with the constant theme being a wall of bass that transports you to a celestial space.
New Order, Brotherhood [Definitive Edition]
With one side dedicated to icy compu-disco and the other tied to the band’s beyond-punk origin story, this expanded reissue brings new order to the 1986 curio with live recordings, remixes, and more.
Father John Misty, Mahashmashana
Josh Tillman focuses his lens on death on his darkly comedic sixth album as eclectic instrumentation continues to buttress his folky chamber pop beyond ’70s pastiche.
Danielle Chelosky
The indie musician also preps us for his Record Store Day release with liner notes written by Fucked Up’s Damian Abraham.
The bedroom pop icon has blessed us with “rue.”
“A Different Kind of Happy” is the third single from the band’s forthcoming album.
The UK punks exclusively stream an apocalyptic single and music video.
The clamorous Brooklyn trio release the tile track from their new LP, out September 11.
The spooky October event will be held in Downtown LA.
The young indie singer/songwriter has unveiled another single from “BREACH.”
Along with an exclusive stream of the record, Neil Berthier discusses his new LP that’s not new to him at all.
The Seattle singer/songwriter’s new track has more to it than it seems.
The international single is out now via Heavenly Recordings.
The wait is over for new music from the alt-metal group.
TA’s year of nostalgia is coming to a close, but not before a tour with La Dispute.
Frontman Greg Barnett unpacks the tonal shifts in the Scranton punks’ forthcoming sixth album.