With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Frank Black, Teenager of the Year [30th Anniversary Edition]
Bolder, weirder, and less Pixies-like than his solo debut, this vast collection of contagious pop vibes and oddball character studies remains Black Francis’ finest musical moment on his own.
Iggy Pop, Live at Montreux Jazz Festival 2023
Recorded at the Swiss fest’s Stravinsky Hall with a seven-piece ensemble, the punk icon crams his deeply expansive catalog into one loud bomb-drop.
Kele, The Singing Winds Pt. 3
Fusing together the stripped-bare ambient-pop and dancier art-pop of the trilogy’s previous titles, the Bloc Party vocalist’s latest project often feels both overstuffed and too restrained.
Danielle Chelosky
The indie musician also preps us for his Record Store Day release with liner notes written by Fucked Up’s Damian Abraham.
The bedroom pop icon has blessed us with “rue.”
“A Different Kind of Happy” is the third single from the band’s forthcoming album.
The UK punks exclusively stream an apocalyptic single and music video.
The clamorous Brooklyn trio release the tile track from their new LP, out September 11.
The spooky October event will be held in Downtown LA.
The young indie singer/songwriter has unveiled another single from “BREACH.”
Along with an exclusive stream of the record, Neil Berthier discusses his new LP that’s not new to him at all.
The Seattle singer/songwriter’s new track has more to it than it seems.
The international single is out now via Heavenly Recordings.
The wait is over for new music from the alt-metal group.
TA’s year of nostalgia is coming to a close, but not before a tour with La Dispute.
Frontman Greg Barnett unpacks the tonal shifts in the Scranton punks’ forthcoming sixth album.