With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Kayleigh Goldsworthy, Learning to Be Happy
The Philly-based songwriter’s latest solo release is a deeply personal, revealing, and vulnerable collection of songs that sounds like hearts breaking for eternity.

The Clash, Combat Rock / The People’s Hall [Special Edition]
This essential reissue ties together most of what the group recorded in studio and demo sessions after the “Radio Clash” 12-inch—plus their collaboration with late toaster Ranking Roger on a separate EP.

SPICE, Viv
Far from embracing the abrasive nature of the punk and hardcore scenes its members come from, the 10 songs on this sophomore LP lean heavily into what could almost be described as pop.
Hayden Merrick

Rolling Blackouts Coastal Fever, Dehd, UV-TV, and more bands pushing rock music forward by pulling from the past.

Melody Prochet’s third LP is more contained than her previous album and more sophisticated than her spirited echo-pop debut.

The duo’s desperately anticipated self-titled debut elicits a too-cool-for-school demeanor and will appeal to any overthinking or underthinking post-millennial.

The Australian “power emo” trio use their latest LP to heal storm scars, allowing themselves a less purposeful indulgence that nevertheless resonates with the same immediacy

The latest from Glenn Donaldson’s melancholy outfit is a rewarding release in an increasingly saturated jangle-pop landscape.

From Green Day’s homage to “Catcher in the Rye” to Japanese Breakfast channeling Raymond Carver, here are some of the best tracks inspired by literature.

With a fondness for the usual jangling suspects, the band’s first release in 11 years is a cumulonimbus of reverby guitar-pop unconcerned with fitting in.