FLOOD

The London duo’s third full-length is a shoegaze-inspired examination of mental health that lifts you up despite its undercurrent of darkness.

The debut solo LP from the BADBADNOTGOOD multi-instrumentalist is an evocative exploration of atmospheric string arrangements and cool, moody jazz lines.

The Canadian indie rockers’ groundbreaking 2002 debut contains upbeat melodies, surprisingly complex lyrics, and a nostalgic charm that make it just as enjoyable today.

The EP sees Jordana Nye continuing to find new ways of creating catchy songs that encase her introspective, melancholic lyrics with ever-increasing elements of electro-pop.

Fun and campy while pulling in too many directions at once, the British pop quintet’s 1997 LP is a solid sophomore effort that was toppled by its extreme ambition and scope.

The electro-pop duo talk Beyoncé, the Belgian music scene, and the importance of humor in their music ahead of their Desert Daze set this weekend.

Ahead of their set at The Wiltern this weekend, electro-pop duo Megan James and Corin Roddick discuss how their music mutates alongside the meaning behind their lyrics.

At the onset of his first U.S. tour, the songwriter discusses his recent ARIA win, playing sets as a teen in local bars, and how Kafka is shaping his new material.

With the details for a film adaptation of her memoir “Crying in H Mart” coming together, Zauner shares how writing for film provides a new creative experience for her.

Nick Allbrook talks us through how changing urban landscapes in Australia shaped the group’s latest LP.

The songwriter discusses swapping his blues guitar for experimental beats on his fourth LP.

The East Coast rapper takes us behind the scenes of “Nehruvia: My Disregarded Thoughts.”

We caught up with violinist Brittney Parks in the midst of her first major tour.

The Chicago rapper talks managing duality while maintaining a vibe on his recent EP.