With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Viagra Boys, viagr aboys
The Swedish post-punks’ fourth album combines half-assed humor with half-assed performances, filling in the void left by guitar-centric punk with demented synth tinkering.
Sunflower Bean, Mortal Primetime
The New York trio’s first self-produced album has a smooth, consistent, quietly confident sound quality that reflects the elegance that’s always been at their core.
BRUIT ≤, The Age of Ephemerality
The French post-rock band lyrically addresses the unthinkable progress and regression of our post-internet age via droning metal and modern-classical sound on their second LP.
Katiee McKinstry
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Reviews
Paul McCartney, “McCartney III Imagined”
McCartney’s collaborators transform the project into a rock anthology, blending younger sounds with those explored on the original record.
April 19, 2021
Reviews
Arcade Fire & Owen Pallett, “Her” [Reissue]
The elegant score for the 2013 film captures its softness and overarching feeling of love.
March 29, 2021
Reviews
Fruit Bats, “The Pet Parade”
As they celebrate 20 years together, the band continues to entrance listeners with their dreamy, vintage vibrations.
March 08, 2021
Reviews
Foo Fighters, “Medicine at Midnight”
The Foos’ 10th studio album dabbles with a new pop sound while also holding true to their classic rock roots.
February 08, 2021
