Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Minnesota Artists United Against ICE, Melt ICE
This gigantic comp album featuring 110 Minnesotan artists raising funds for immigrant communities terrorized by ICE may also happen to be where you find your new favorite band.
Morrissey, Make-Up Is a Lie
It isn’t always hard to trick ourselves into remembering Moz as he once was on this return-to-form solo LP as he matches mischievous observations with a winning brand of melancholy pop.
Bill Callahan, My Days of 58
Well-observed, a bit absurd, and wholly singular, this “hobo stew” permits each instrument and each musical idea to embrace Callahan’s discursive lyrical and structural style.
Katiee McKinstry
McCartney’s collaborators transform the project into a rock anthology, blending younger sounds with those explored on the original record.
The elegant score for the 2013 film captures its softness and overarching feeling of love.
As they celebrate 20 years together, the band continues to entrance listeners with their dreamy, vintage vibrations.
The Foos’ 10th studio album dabbles with a new pop sound while also holding true to their classic rock roots.
