With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Blonde Redhead, Sit Down for Dinner
The dream-pop trio celebrates the precarity and preciousness of life with delicate and airy sounds on their first record in nine years.
Oneohtrix Point Never, Again
Daniel Lopatin’s “speculatively autobiographical” tenth album marries a handful of his past styles, soulful vibes, and sample tricks into one future-forward, frothing, fluid stream of sound.
Armand Hammer, We Buy Diabetic Test Strips
The block-party feel of billy woods and ELUCID’s guest-heavy sixth full-length together makes for a raucous listen, yet it’s clearly the defining statement in their always-brilliant discography.
When she’s not making music, Krauss is climbing crags around the world.
The West Coast punks have reached a new level of restlessness on their third album and most interesting collection of songs to date.
With festival season in full swing, the UK electro-funk group prepare for the release of their second, more personal LP.
With the band now over twenty years old, Ben Gibbard is rethinking what Death Cab means, for him and for you.
We talk with Win Butler about the new Ray Tintori–directed video, and go behind the scenes of the track’s recording in an exclusive in-studio live clip.
Frances Quinlan’s decreasingly solo project shifts toward total collaboration on their third album, “Bark Your Head Off, Dog.”
The Detroit-based singer/songwriter juxtaposes buoyant instrumentation with heavy subject matter on her solo debut, “Quit the Curse.”
The experimental-indie-rock maestro has a special place in his heart for the band’s sophomore album, even if its initial success was subdued by a well-received debut record and music critic snobbery.
After leaving Vampire Weekend, collaborating with Hamilton Leithauser, and producing just about all of your favorite pop stars, the LA-based musician is ready for his moment in the sun.
Prior to the debut of the seventh season of “Game of Thrones,” two of our writers square off using the preferred forum of pop-culture enthusiasts everywhere: Slack.