Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Foo Fighters, Your Favorite Toy
Dave Grohl focuses on the objects in life that keep us grounded when times are just plain weird on the band’s 12th LP, which is less a total reinvention than a vital recalibration.
This Is Lorelei, Box for Buddy, Box for Star [Super Deluxe]
Building off cosigns from the pillars of modern indie-rock cool, Nate Amos extends his 2024 label debut with an album’s worth of covers that meet the heights of the original recordings.
Punchbag, I Am Obsessed
The South London sibling duo take stock of the clutter in their life with a second EP of rave-infused pop-punk that may convince the listener that it was actually recorded in 2012.
Katrina Nattress
When she’s not making music, Krauss is climbing crags around the world.
The West Coast punks have reached a new level of restlessness on their third album and most interesting collection of songs to date.
Jungle, 2018 by Charlie Di Placido
With festival season in full swing, the UK electro-funk group prepare for the release of their second, more personal LP.
With the band now over twenty years old, Ben Gibbard is rethinking what Death Cab means, for him and for you.
We talk with Win Butler about the new Ray Tintori–directed video, and go behind the scenes of the track’s recording in an exclusive in-studio live clip.
Frances Quinlan’s decreasingly solo project shifts toward total collaboration on their third album, “Bark Your Head Off, Dog.”
The Detroit-based singer/songwriter juxtaposes buoyant instrumentation with heavy subject matter on her solo debut, “Quit the Curse.”
The experimental-indie-rock maestro has a special place in his heart for the band’s sophomore album, even if its initial success was subdued by a well-received debut record and music critic snobbery.
photo by Alex John Beck
After leaving Vampire Weekend, collaborating with Hamilton Leithauser, and producing just about all of your favorite pop stars, the LA-based musician is ready for his moment in the sun.
Prior to the debut of the seventh season of “Game of Thrones,” two of our writers square off using the preferred forum of pop-culture enthusiasts everywhere: Slack.
