Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Bleachers, Everyone for Ten Minutes
The bigness that Jack Antonoff holds on his band’s latest album is dedicated to the human spirit and the hope of something better—and rockier—for our future.
Lowertown, Ugly Duckling Union
The NYC duo return to their DIY roots on their creatively unbridled second LP, turning a highly unusual concept into something rather heartfelt and wonkily majestic.
Hammock, The Second Coming Was a Moonrise
The Nashville veterans blend the understated melancholia of dream pop with the more dramatic scale of post-rock on their latest album with a nice push-and-pull effect.
Konstantinos Pappis
The Brooklyn band bring more dimension to their sound on a magnetic second record that’s framed by a mix of analog technology and Y2K aesthetics.
Penetratingly exact and proudly undefinable, Nick Llobet’s first album since expanding the project to a duo adds more definition to the sinewy, searching palette of their previous material.
The cocktail of frustration, insecurity, and lust that courses through the Brighton quartet’s buzzing and adventurous second album mirrors the trajectory of an energetic night out.
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without ever letting them overstay their welcome.
