Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
This Is Lorelei, Box for Buddy, Box for Star [Super Deluxe]
Building off cosigns from the pillars of modern indie-rock cool, Nate Amos extends his 2024 label debut with an album’s worth of covers that meet the heights of the original recordings.
Punchbag, I Am Obsessed
The South London sibling duo take stock of the clutter in their life with a second EP of rave-infused pop-punk that may convince the listener that it was actually recorded in 2012.
Earl Sweatshirt / MIKE / Surf Gang, Pompeii // Utility
Working over Surf Gang’s emollient cloud-rap sound beds, both rappers’ blackly comic takes on the fall of mankind in the 21st century come together in a show of unity, utility, and futility.
Leah Mandel
15 great tracks made greater with the help of friends and unexpected allies.
Frankie Cosmos
The prolific songwriter discusses learning to love love and ask questions prior to the release of her band’s fourth album, “Close It Quietly.”
Eva Hendricks and her band discuss the honesty and maturity that went into writing “Young Enough.”
If Yves Tumor, JPEGMAFIA, or Pharmakon have grabbed your attention lately, we’ve got your new obsessions.
Unlike most supergroups, the debut EP from the songwriting team of Phoebe Bridgers, Julien Baker, and Lucy Dacus invites listeners to hear each artist as an individual.
The experimental rock vets put their spin on two creepy classics from “The Shining”’s soundtrack—and Rodriguez, who took the helm on the project, might have been the most spooked out of everyone involved.
How four sweet dudes from Chicago came up in the DIY rock scene and made a killer debut album.
