Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Ella Langley, Dandelion
The pop-country songwriter understands the human weight of the American South’s emotionally rich tableau of high-speed heartbreak and low-light bars, as demonstrated on a resilient second album.
Sugar Horse, Not a Sound in Heaven
On their cleanest-sounding record yet, the doomy Bristol band’s idea of dance music feels perfectly suitable for the turbulent year 2026 has already proven to be.
Lime Garden, Maybe Not Tonight
The cocktail of frustration, insecurity, and lust that courses through the Brighton quartet’s buzzing and adventurous second album mirrors the trajectory of an energetic night out.
Lyndsey Parker
In our latest digital cover story, Brian Aubert and producer/Garbage drummer Vig discuss their strong chemistry on SSPU’s latest album, Tenterhooks, at a recent Q&A event hosted by FLOOD.
Damon Albarn and Jamie Hewlett celebrate 25 years of their massively successful multimedia project with input from collaborators Posdnuos of De La Soul and Yukimi Nagano of Little Dragon, and also reflect on their latest conquest: their spiritual new record The Mountain.
Damon Albarn and Jamie Hewlett give us the scoop on the project’s “part beautiful, part deadly, part futuristic” new record landing March 20.
The former Regrettes frontwoman unpacks her ambitious and attitudinal solo debut, Parody of Pleasure, and “the existential dread of being an artist.”
In our latest digital cover story, the songwriter discusses Forever Is a Feeling, her first new solo album since boygenius’ hiatus, and how she’s learned to just enjoy the ride—no matter how long it lasts.
With their documentary Born Innocent: The Redd Kross Story opening on Thursday, Jeff and Steven McDonald take us on a tour of Redd Kross’ LA.
In our latest digital cover story, the actor and musician discusses her sophisticated new album Chaos Angel, her new Flannery O’Connor biopic Wildcat, and the unlikely ways in which they intersect.
