Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Telehealth, Green World Image
The Seattle band mashes up Millennial malaise with ’80s synthpunk and biting satire on a playful second LP that crowds out the more emotional elements with terminally online irony.
Nara’s Room, Tearless, thoughtless
The Brooklyn band bring more dimension to their sound on a magnetic second record that’s framed by a mix of analog technology and Y2K aesthetics.
Winston Hightower, 100 Acre Wood
The 14 songs featured on the Columbus native’s second album may be as short as the ones on its lo-fi predecessor, but they’re far more fleshed out with catchier and on-point rock music.
Maria Lewczyk
If we’re due for another wave of emo soon, we’re looking somewhere colder than Eastern Pennsylvania.
Along with a playlist curated by the band, Austin Getz goes deep on his newfound love of jazz.
The Title Fight vocalist juggles his internal and external worlds on “Looking Through the Shades,” his debut LP for ANTI-.
Frontman John Galm opens up about his struggles with mental illness and how he channeled it into his current project’s new album, “strength.”
It’s fun, it’s frivolous, it’s insightful.
With “Panorama” marking the Grand Rapids emigrants’ first album in five years, Dreyer tells us what set the project into motion.
Debut album “Crush on Me” explores maturity, queer identity, and how it all relates to the frosted pink, hardcore world we live in.
Saturn is the center of our universe, and gothbois love it.
“Better Oblivion Community Center” is a folk rock album that proves Conor Oberst and Phoebe Bridgers to be perfect singing companions.
