Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Minnesota Artists United Against ICE, Melt ICE
This gigantic comp album featuring 110 Minnesotan artists raising funds for immigrant communities terrorized by ICE may also happen to be where you find your new favorite band.
Morrissey, Make-Up Is a Lie
It isn’t always hard to trick ourselves into remembering Moz as he once was on this return-to-form solo LP as he matches mischievous observations with a winning brand of melancholy pop.
Bill Callahan, My Days of 58
Well-observed, a bit absurd, and wholly singular, this “hobo stew” permits each instrument and each musical idea to embrace Callahan’s discursive lyrical and structural style.
Sadie Sartini Garner
UNSPECIFIED – CIRCA 1970: Photo of Bernie Worrell Photo by Michael Ochs Archives/Getty Images
The funk pioneer succumbed to cancer at the age of 72.
Sexy Dex and The Fresh / photo courtesy of the band
Get on up.
Peter Bjorn and John / photo by Marcus Palmqvist
The Swedish trio give us the highlights of their between-album work.
Space-age sadness from the nation’s capitol.
Allah-Las / no credit / 2016
From the group’s upcoming “Calico Review.”
Lemi Ghariokwu / courtesy himself
The man responsible for the look of Afrobeat tells us about his relationship with Fela Kuti.
No sunscreen required.
Under the rosé glow of the Pasadena sky, the two national sides opened play at the Copa America Centenario.
How do you follow up one of the most mythical records of the past twenty years? You blow out that beat.
Unknown Mortal Orchestra’s Ruban Nielson on Late Night with Seth Meyers
It’s the first new recording from the group since last year’s “Multi-Love.”
Dentist
West Coast punk makes it way to the Jersey Shore.
Mary and the Small Omission
The ambient-drone single is taken from the duo’s “The Effects are Cumulative,” out June 10.
The Atlanta quartet’s “Freedom” is their first new record since 2011.
He did a good-ass job.
From the British soul man’s Daptone debut, “Hold On!”
The Indiana auteur previews his third solo LP, “Casino Drone.”
U! S! A! U! S! A!
Joseph / 2015 at Pickathon / photo by Drew Bandy
The Oregon festival’s Spring Season carries on.
With the release of the “Burn the Witch” video, the group turn distribution into its own political art.
In the first edition of our new column, we take a closer look at the Houston Thai-funk group’s debut LP.
