Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Beyoncé, B’Day [20th Anniversary Edition]
Along with remastering its original mix to bring out the disc’s vibrantly wild percussion, there’s a warmth to this celebratory touch-up of the pop star’s second solo LP that was forever missing.
Diary, Spiral Bound
The Brooklyn-based jangle-pop quintet’s aptly diaristic debut takes the form of a novella, as each track seems to correspond with a particular time in the wee hours of the morning.
Sleep, Hemispheres
Touching back down from the depths of smoke-space to release their first album in eight years, the newly reconfigured stoner-metal titans offer myriad psychedelic delights.
Michael Brooks
The band’s first album for Saddle Creek is a sprawling odyssey of haunting dissonance and blissful euphoria.
The “frog rock” quartet’s debut is an unforgettable collection that blurs the lines between math rock, art pop, and jazz.
The pair of emcees sound more in sync than they did on the debut LP, released just six months ago.
“Oxnard” isn’t afraid to show admiration for G-funk, and many of its best moments come from the more West Coast–inspired cuts.
“Alone at Last” elicits the kind of place that only exists in dreams, a sort of chrysalis from all the chaos surrounding us.
Lenker’s haunting vocal acrobatics will linger with you long after the album is done.
The end of the world is merely a natural evolution, and “Thunder Follows the Light” is about basking in the calm before the chaos.
Mac Miller has been open about his struggles in the past, and “Swimming” is rooted in trying to find a way to stay afloat.
A collection of unfussy, straightforward, mid-tempo rockers that revel in their uniformity.
