Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Sufjan Stevens, Worst Christmas Ever!
The Christmas album format finds vindication as the songwriter distills timeless compositions into a primer that cares about reverence and reflection as much as bombastic experimentation.
Katie Dey, Universal Will
Trading her typical hyperpop textures for heavy rock notes, the Australian pop experimentalist focuses her sights on the rise of technofascism in the wake of an online coming-of-age.
Boys Noize, 7LLVSION
Made bigger and brawnier by his recent collaboration with Nine Inch Nails, the German-Iraqi electronic producer’s first new solo album in five years proves the most maximal of his career.
Mike LeSuer
Joe Stevens shares how Steve Reich and NYC’s Natural History Museum helped shape the sound of the band’s fourth album, out now via Topshelf Records.
The ever-adventurous neo-psych band shares how Chet Baker, Alice Coltrane, Tchaikovsky, and more helped shape their latest release, out this week via Bella Union.
Halifax-based songwriter Graham Ereaux introduces us to the cozy world of his forthcoming Heart Shaped Rock LP, arriving October 4 via Paper Bag Records.
The Atlanta metal group will be releasing a new EP on October 18 titled Dehiscence.
The final installment in the group’s The Heart, The Mind, The Soul EP trilogy also drops today with the release of the Robert Glasper–producer The Soul.
Jill Sullivan shares a visual for her recent anthem dedicated to all those idiots we have to share the road with.
On the heels of their own diss track “Writing Out a List of All the Names of God,” the Leeds band shares nine tracks that turn being a hater into an art form.
The London-based guitar-rock quartet share how everything from cooking to GTA: Vice City inspired their sophomore album, which arrives this week via City Slang.
The single teases a new release from the former Celebration vocalist.
The single arrives with the news that the Philadelphia-based group’s self-titled debut EP is arriving September 26 via Crafted Sounds.
K Nkanza shares how French house music, British dance-punk, and whatever you might classify Mew as helped shape their latest LP.
A video for the latest single from the LA collective’s new album Free Energy also includes the sax-heavy preceding track, “Opaline Bubbletear.”
The project featuring members of The Wonder Years and Mannequin Pussy will release their sophomore EP Positions of Power on September 3 via Born Losers.
Yako and Agata also break the release down track by track to give us a better sense of how all nine recordings came together.
The musician/actor’s fourth album—originally released back in April—will arrive with nearly twice as many tracks on September 13.
With their newly extended lineup, the industrial-metal group shares their newly extended pool of inspiration for their fifth record.
The LA-based songwriter’s second album, La Mer, is out September 6 via Innovative Leisure.
The Atlanta-based pop-punk group’s second album Better Luck Next Time lands September 13 via SideOneDummy.
The Grand Rapids–based duo’s debut album Low Low arrives next Friday via B3SCI Records.
“Die for Me” is the first single from Dawson’s first full-length since 2022’s CHAOS NOW*.
