Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Courtney Barnett, Creature of Habit
Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.
The Twilight Sad, It’s the Long Goodbye
The sixth album from the Scottish proponents of existential angst is centered around the intertwining duality of death and life, fueled in turn by feelings of despair, disbelief, and defiance.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without ever letting them overstay their welcome.
Mike LeSuer
With the album originally released in November, the latest visual was created by Cloakroom’s Bobby Markos.
Kicking off June 4, season six will claim Diplo, Rico Nasty, Tinashe, Lil Yachty, and more as victims.
Hopefully somewhere right now Bill Callahan is prepping a track called “Indigo De Souza.”
The new track lands with a set of headlining dates to follow the band’s appearance at SXSW.
The clip complements the single which is set to appear on Matthew Robert Cooper’s new album (Whirring Marvels In) Consensus Reality, arriving May 12 via Temporary Residence.
Patrick McDermott and Barry Walker’s new LP Long Cool World is out April 7 via Third Man Records.
Christian and Louie Baello share the set of songs they’ll have on repeat as they set off on their North American tour later this week.
On its tenth anniversary, Mark Perro discusses how the NYC guitar-rock group’s 2013 LP paved the way for the band to open up their sound.
The new single comes from the post-hardcore trio’s third LP Lost, out April 14 via Born Losers.
The West Coast garage-rock duo’s eighth album Upside Down in Heaven is slated for release on April 7 via Lolipop Records.
The ’70s-harkening track arrives ahead of the Atlanta garage-rockers’ sixth LP On and On and Gone, out June 2 via My Anxious Mouth.
The rapper hops on a new version of the duo’s The Real Work track before the duo heads out on tour with Algiers.
Coast 2 Coast, the duo’s first album for Stones Throw, will feature members of Stereolab, Unknown Mortal Orchestra, Neon Indian, and more.
The single precedes the London-based group’s upcoming North American tour kicking off at SXSW.
The electropop songwriter talks whittling down a vast array of musical influences and emotions into her debut solo album, Galaxia de Emociones.
Dark Fire Heresy, the debut album from the LA-based shoegaze collective, arrives April 28.
Following a string of EPs the duo’s debut album Music for the Future drops this Friday via Run for Cover.
Producer/songwriter Marius Elfstedt’s new project is out today via 777 Music.
@RILEYSMITHPHOTO
Like its predecessor “We’re in It Together,” the new track came together with the help of a Lowrey Genie organ he stumbled upon at an Airbnb.
The debut full-length from the industrial noise rockers is consistently surprising as it bridges the chasm between droning no wave and free-for-all dance music.
