With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

M(h)aol, Something Soft
On their second LP, the Dublin trio weave through belligerent post-punk and quasi-industrial aesthetics, manipulating song structures and having fun with atonal soundscapes.

Ezra Furman, Goodbye Small Head
A glitchy folk-punk opera like a pastoral take on Lou Reed’s Berlin, the songwriter’s quivering-yet-empowered latest sees her knocked down—but never knocked out.

Youth Code, Yours, with Malice
The EBM duo continues to test new waters with their debut EP for metalcore label Sumerian, inviting experimentation on each of these five bone-rattling recordings.
Mike LeSuer

The pulsing single is the third cut from their forthcoming Dais Records debut, “Private Life.”

The first official single from the two-day old album comes to life with a Johnny Jewel–directed video.

While touring LP “Braindrops,” the Australian band shares their secrets to being a rare innovative rock band in 2019.

The Portland-based synthwave group gives us something a bit more substantial to chew on as we anticipate “Dear Tommy.”

The “Ski” single comes to life with a lively black-and-white visual.

The fourth and final single precedes an October 4 release date for “Make Yourself at Home.”

Our Associate Editor’s favorite pre-released singles, album deep cuts, and tracks by unfairly obscure artists from the past few weeks.

The Irish noise-makers dig into the warped sounds of their experimental follow-up to 2015’s “Holding Hands with Jamie.”

The “Real Stories” track gets the ska treatment for Jeremy Hunter’s debut collection of covers.

Reggie Watts joins the band for a synthed-out rendition of “Daddi.”

The National / photo by Molly Adams
The vintage analog recordings taken from a pair of the band’s 2018 sets at the Greek Theatre will be released November 29.

The Chicago songwriter and Ratboys guitarist teases his second solo album with a breezy power-pop jam.

The track from Friel’s recent “Fanfare” LP gets a “hideous” visual courtesy of digital artist Andy Wallace.

The second single from “Mass” sees the duo take a darker approach to New Orleans–inspired jazz.

Merge Records continues their 30-year anniversary celebration by commissioning an energetic cover of Arcade Fire’s second album.

The proto-Walkmen ensemble’s long out-of-print EP will see the light of day on October 18, along with a book of Stewart Lupton’s poetry.

The Brainfeeder producer’s first single from his forthcoming LP “Anicca” features some familiar vocals.

In its fifteenth year, the Chicago festival keeps it edgy with additional sets from Slayer, Blink-182, Descendents, Wu-Tang Clan, and more.

The first single from the hardcore punks’ Roadrunner Records debut sees the band submerged in water.

The international electropop icons share a dark visual for the single from their February-released self-titled album.