Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Various artists, Red Xerox: Chicago Youth Beat 2020-2025
Spotlighting the diversity of Chicago’s underground scene, this comp is as much a symposium for genre-defying trailblazers as it is a no-skips playlists capturing the city’s budding youth-beat movement.
Cut Worms, Transmitter
Produced by Jeff Tweedy, Max Clarke’s fourth album tampers down the luster of past records, grounding aspects of the indie-folk songwriter’s music that once seemed impossibly pristine.
Kim Gordon, Play Me
Fully embracing the trashy SoundCloud-era internet aesthetic as she raps, sings, and shreds over industrial clatter, this is the sound of an artist who’s still inspired by the cutting edge at 72.
Mike LeSuer
The reinvigorated Boston dance-punks look ahead on their latest single from their forthcoming “What Would the Odd Do?” EP.
The pulsing single is the third cut from their forthcoming Dais Records debut, “Private Life.”
The first official single from the two-day old album comes to life with a Johnny Jewel–directed video.
While touring LP “Braindrops,” the Australian band shares their secrets to being a rare innovative rock band in 2019.
The Portland-based synthwave group gives us something a bit more substantial to chew on as we anticipate “Dear Tommy.”
The “Ski” single comes to life with a lively black-and-white visual.
The fourth and final single precedes an October 4 release date for “Make Yourself at Home.”
Our Associate Editor’s favorite pre-released singles, album deep cuts, and tracks by unfairly obscure artists from the past few weeks.
The Irish noise-makers dig into the warped sounds of their experimental follow-up to 2015’s “Holding Hands with Jamie.”
The “Real Stories” track gets the ska treatment for Jeremy Hunter’s debut collection of covers.
Reggie Watts joins the band for a synthed-out rendition of “Daddi.”
The National / photo by Molly Adams
The vintage analog recordings taken from a pair of the band’s 2018 sets at the Greek Theatre will be released November 29.
The Chicago songwriter and Ratboys guitarist teases his second solo album with a breezy power-pop jam.
The track from Friel’s recent “Fanfare” LP gets a “hideous” visual courtesy of digital artist Andy Wallace.
The second single from “Mass” sees the duo take a darker approach to New Orleans–inspired jazz.
Merge Records continues their 30-year anniversary celebration by commissioning an energetic cover of Arcade Fire’s second album.
The proto-Walkmen ensemble’s long out-of-print EP will see the light of day on October 18, along with a book of Stewart Lupton’s poetry.
The Brainfeeder producer’s first single from his forthcoming LP “Anicca” features some familiar vocals.
In its fifteenth year, the Chicago festival keeps it edgy with additional sets from Slayer, Blink-182, Descendents, Wu-Tang Clan, and more.
The first single from the hardcore punks’ Roadrunner Records debut sees the band submerged in water.
