Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Cola, Cost of Living Adjustment
While they continue to excel at lo-fi post-punk, the Canadian outfit’s third album mixes the angularity and simplicity of their previous LPs with something much lusher and richer.
Broken Social Scene, Remember the Humans
The amorphous Canadian supergroup returns after nearly a decade to unearth a brand new yet wholly familiar artful rock sound with a surprising amount of momentum behind it.
Tom Petty & the Heartbreakers, Live at the Paradise Rock Club, 1978
Recorded via two-track by WBCN-FM Boston in time for the band’s sophomore album, this live LP is a rare contact high connected to the sage rage of their earliest punk-rock days.
Mike LeSuer
George Clanton, The Paranoyds, Surfbort, and others, explained.
The proggy Boston experimentalists celebrate release day with an arty new visual.
The third and final pre-album single from “Big Blue” is full of grungy longing.
Along with the news, the eclectic label offers up an early stream of Robedoor’s new record, “Negative Legacy.”
The power pop songwriter lives every artist’s dream and ranks ten of his stunning “Born Hot” self-portraits for us.
Processed with VSCO with b1 preset
The two-song pairing is the latest meditation on late capitalism from the Have a Nice Life side-project.
The folksy songwriter shares the first video from his podcast-released new album “Are You Feelin’ It.”
The title track to the genreless rapper’s latest LP plays on repeat to accommodate its lengthy visual.
The Phil Collins classic gets a spooky makeover for Dacus’s newly announced “2019” EP.
The reinvigorated Boston dance-punks look ahead on their latest single from their forthcoming “What Would the Odd Do?” EP.
The pulsing single is the third cut from their forthcoming Dais Records debut, “Private Life.”
The first official single from the two-day old album comes to life with a Johnny Jewel–directed video.
While touring LP “Braindrops,” the Australian band shares their secrets to being a rare innovative rock band in 2019.
The Portland-based synthwave group gives us something a bit more substantial to chew on as we anticipate “Dear Tommy.”
The “Ski” single comes to life with a lively black-and-white visual.
The fourth and final single precedes an October 4 release date for “Make Yourself at Home.”
Our Associate Editor’s favorite pre-released singles, album deep cuts, and tracks by unfairly obscure artists from the past few weeks.
The Irish noise-makers dig into the warped sounds of their experimental follow-up to 2015’s “Holding Hands with Jamie.”
The “Real Stories” track gets the ska treatment for Jeremy Hunter’s debut collection of covers.
Reggie Watts joins the band for a synthed-out rendition of “Daddi.”
