Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Towa Bird, Gentleman
The shred-bending guitarist is out for blood on her second LP as she channels femme-punk fury and four-on-the-floor disco beats into songs aiming to bust the heads of the pop patriarchy.
Telehealth, Green World Image
The Seattle band mashes up Millennial malaise with ’80s synthpunk and biting satire on a playful second LP that crowds out the more emotional elements with terminally online irony.
Nara’s Room, Tearless, thoughtless
The Brooklyn band bring more dimension to their sound on a magnetic second record that’s framed by a mix of analog technology and Y2K aesthetics.
Mike LeSuer
As they blitzkrieg the U.S. with a quick slew of tour dates, the post-punks smuggle us a list of the hottest bands making waves in their native land.
The emo first-wavers ready their first album in nearly five years with another track unveil.
The former Speedy Ortiz guitarist has “Devin” scheduled for a July 26 release via Exploding in Sound.
The “Jerry Maguire”–hoarding collective invites you to break in their new East LA storefront with them July 6.
Thirty years later, the black comedy remains among the most underrated films in the Cage canon.
An auditory illusion that sparked an internet phenomenon wasn’t the only influence on the LA psych trio’s fourth album.
The hypnagogic pop experimentalist unpacks themes of life, death, and bodiless existence on her third solo album.
The new single from the Connecticut rockers further distances Zackery Abramo from his experimental pop past in Vundabar.
Ellen Kempner cites eleven songwriting influences on the Boston trio’s latest LP for Polyvinyl.
Processed with VSCOcam with a6 preset
Brothers Alex and Austin Ward host what is quite likely the only podcast entirely devoted to the 1999 sci-fi comedy.
Unearthed from a bonus DVD accompanying their 2008 release, John Dwyer & co. serve up on-location live sets and compelling commentary.
Bay Area experimentalist Tia Cabral explains how Kubrick, Sun Ra, and “Frankenstein” inspired the unique aesthetic for her sophomore LP.
The Toronto post-hardcore outfit tease their cinematic fourth album with a wildly diverse track list of influences.
Akron/Family guitarist Seth Olinsky breaks down his influences from Swans to Patti Smith on his latest single.
The noise pop group share the closing track to their forthcoming Hardly Art debut with an interactive video.
Matt Messore’s dream pop project gigs a New Jersey graveyard before hitting the West Coast.
Coppola, Scorsese, Spielberg, and De Palma all have new movies in production or slated for release later this year. Is it OK if we don’t really care?
Rick Maguire takes on the ghoulish policy advisor in the video for the Boston rockers’ latest single.
The heartland punk outfit teases their sixth album with a very enthusiastic video for lead single “(I Blame) Society.”
With “Us” hitting theaters last Friday, we’re ranking the ten most notable pioneering titles kept to two characters.
